The Matter of Data in a Self-Inscribing World: Autographic Design

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Description

An ambitious vision for design based on the premise that data is material, not abstract.Data analysis and visualization are crucial tools in today’s society, and digital representations have steadily become the default. Yet, more and more often, we find that citizen scientists, environmental activists, and forensic amateurs are using analog methods to present evidence of pollution, climate change, and the spread of disinformation. In this illuminating book, Dietmar Offenhuber presents a model for these practices, a model to make data generation accountable: autographic design.Autographic refers to the notion that every event inscribes itself in countless ways. Think of a sundial, for example—a perfectly autographic device that displays information on itself. Inspired by such post-digital practices of visualization and evidence construction, Offenhuber describes an approach to visualization based on the premise that data is a material entity rather than an abstract representation. Emerson wrote, “Every act of the man inscribes itself in the memories of his fellows, and in his own manners and face.” In Autographic Design, Offenhuber introduces a model for design that emphasizes traces, imprints, and self-inscriptions, turning them into sensory displays.In an age where misinformation is harder and harder to identify, Autographic Design makes an urgent and persuasive case for a different approach that calls attention to the production of data and its connection to the material world.

Additional information

Weight 0.471025 kg
Dimensions 1.7526 × 15.24 × 23.0124 cm
by

Format

Paperback

Language

Pages

296

Publisher

Year Published

2023-12-19

Imprint

Publication City/Country

USA

ISBN 10

0262547023

About The Author

Dietmar Offenhuber is Associate Professor and Chair of the Department of Art + Design at Northeastern University, with a joint appointment in the School of Public Policy and Urban Affairs. He is currently a visiting scholar at Harvard metaLAB and was recently a fellow at the Princeton-Mellon Initiative in Architecture, Urbanism, and the Humanities. He is the author of the award-winning Waste Is Information (MIT Press).

Other text

“A suggestive addition to the literature on data and materiality, Offenhuber’s work on the ‘self-inscribing autographic trace’ should quickly become a standard reference in the fields of computational analysis and design.”—Johanna Drucker, Professor of Information Studies, UCLA; author of Inventing the Alphabet  “Offenhuber shows how autographic design operations and techniques can offer a refreshing new way to trace data culture without forgetting software. This is one of the most important recent books in design and critical data studies.”—Jussi Parikka, Professor of Digital Aesthetics and Culture, Aarhus University; author of Operational Images

Table Of Content

Introducing Autography 11 Traces and Modes of Trace-Making 272 Autographic Design Operations 493 Found Traces 674 Instrumentation–Tracing Atmospheres 935 Making Traces and Constructing Evidence 1236 Autographic Environments 1557 Signals 1798 Conclusion: notes on Designing Autographics 201Acknowledgments 213Notes 215Bibliography 241Index 267

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