Lurch

14.00 JOD

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Description

“[McKay’s] exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins.” –New York Times Book ReviewE.J. Pratt Family Poetry Award, WinnerAn extraordinary collection of poems from Griffin Poetry Prize winner Don McKay.Old joke: “What’s the difference between a lurch and a dance step?”“I don’t know.”“I didn’t think so. Let’s sit down.”These poems are what happens when you stay out on the dance floor instead, dancing the staggers. The full moon rises from the ocean and you lurch with astonishment that we live on a rocky sphere whirling in space. Or the bird in your hand—a pipit or a storm petrel—conveys the exquisite frailty of existence. And there’s the complex of lurches as we contemplate our complicity in the sixth mass extinction.Throughout Lurch, language dances its ardent incompetence as a translator of “the profane wonders of the wilderness,” whether manifest as Balsam Fir, Catbirds, the extinct Eskimo Curlew, or the ever-present Cosmic Microwave Background.What is the difference between a love song and an elegy?                        We live between eroding raindrops                        and accelerating clocks. The piano                        lifts its lid to show its wire-and-hammer                        heart.

Additional information

Weight 0.13 kg
Dimensions 0.77 × 13.95 × 20.93 cm
PubliCanadanadation City/Country

Canada

by

Format

Paperback

Language

Pages

96

Publisher

Year Published

2021-8-3

Imprint

ISBN 10

0771057857

About The Author

Don McKay is the multi-award-winning author of thirteen previous books of poetry, including Paradoxides; Strike/Slip, winner of the Griffin Poetry Prize; and Camber: Selected Poems, a finalist for the Griffin Poetry Prize and a Globe and Mail Notable Book of the Year. Angular Unconformity, a collected poems, appeared from Goose Lane in 2014. McKay has taught poetry in universities across the country. He presently lives in St. John’s, Newfoundland.

Praise for Don McKay:"Don McKay walks us out to the uncertain ground between the known and unknown, between the names we have given things and things as they are. . . . McKay's meditations on time's evidence acquire a similar heft, proposing, in their discipline of mind and generosity of spirit, a way to be at home in the world. A book of patience, courage, and quiet eloquence." –Judges' Citation, 2007 Griffin Poetry Prize (Winner)"He is an essential poet of our time." –Judges' Citation, 2005 Griffin Poetry Prize"Don McKay is one of the very best Canadian poets. . . . He is a poet of a unique nature, a poet with a great capacity for beauty and grace." –Northern Poetry Review"Reading McKay is a heightened and altering experience; it changes my personal relationship with language and silence." –Toronto Star

Excerpt From Book

OISEAU TRISTEWhat is the sad bird singing?Something in the interrogative mood,says the piano, some koan, and the violinwith the slept-in suit and smoky baritoneconcurs. Outside, someone scratcheson a stone, writing out a pointor knapping in the style of Homo habilis, esteemedinventor of instruments.The five-note bird fliesin and out of opera, inand out of flux, ferrying musicback to noise and noise,spruced up, to a picnic in Algonquin Park.Later, the cricket-ratchet creature.Later, excoriating chords.Was there a word for rockringing? We live between eroding raindropsand accelerating clocks. The pianolifts its lid to show its wire-and-hammerheart.

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