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The Sentimentalists
16.00 JOD
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Description
In this Giller Prize-winning novel, a daughter tries to uncover the truth about her dying father, a veteran haunted by his past–but she also discovers truths about herself along the way.Haunted by the horrific events he witnessed during the Vietnam War, Napoleon Haskell is exhausted from years spent battling his memories. As his health ultimately declines, his two daughters move him from his trailer in North Dakota to Casablanca, Ontario, to live with the father of a friend who was killed in action. It is to Casablanca, on the shores of a man-made lake beneath which lie the remains of the former town, that Napoleon’s youngest daughter also retreats when her own life comes unhinged. Living with the two old men, she finds her father in the twilight of his life and rapidly slipping into senility. With love and insatiable curiosity, she devotes herself to learning the truth about him; and through the fog, Napoleon’s past begins to emerge just as his daughter’s present comes sharply into focus.
Additional information
| Weight | 0.3 kg |
|---|---|
| Dimensions | 1.6 × 13.3 × 20.4 cm |
| PubliCanadation City/Country | Canada |
| by | |
| format | |
| Language | |
| Pages | 240 |
| publisher | |
| Year Published | 2016-10-4 |
| Imprint | |
| ISBN 10 | 0735233195 |
| About The Author | JOHANNA SKIBSRUD is the Scotiabank Giller Prize-winning author of The Sentimentalists as well as the novel Quartet for the End of Time, and the short story collections Tiger, Tiger and This Will Be Difficult to Explain and Other Stories. She is also the author of three poetry collections, including The Description of the World, which won the 2017 Canadian Authors Association Award for Poetry and the Fred Cogswell Award. Originally from Pictou County, Nova Scotia, she currently divides her time between Cape Breton, Nova Scotia, and Tucson, Arizona. |
“A hypnotic meditation on memory, it reaffirms the potential for storytelling to offer clarity and redemption.” —The New York Times “A beautiful tribute to a father-daughter relationship.” —The Globe and Mail “Skibsrud knows what she’s doing: The slow fuse of the novel’s first half turns out to be a very effective setup for the explosive second.” —National Post |
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