Witness in Our Time, Second Edition: Working Lives of Documentary Photographers

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Description

Witness in Our Time traces the recent history of social documentary photography in the words of twenty-nine of the genre’s best photographers, editors, and curators, showing how the profession remains vital, innovative, and committed to social change. The second edition includes a new section of interviews on documentary photography in the field and an exploration of the role of photojournalism in 21st-century media. Witness in Our Time provides an insider’s view of a profession that continues to confront questions of art and truth while extending the definitions of both.

Additional information

Weight 0.4 kg
Dimensions 1.55 × 15.3 × 22.61 cm
PubliCanadation City/Country

USA

by

Format

Paperback

Language

Pages

280

Publisher

Year Published

2010-10-5

Imprint

ISBN 10

1588342980

About The Author

Ken Light is an internationally recognized documentary photographer and the recipient of two National Endowment for the Arts photography fellowships. The author of seven photo books, including Delta Time, Texas Death Row, and Coal Hollow, he is a full-time faculty member and director of the Center for Photography at the Graduate School of Journalism at the University of California, Berkeley.Kerry Tremain is a writer and editor. The former executive editor of Mother Jones, he was a cofounder and director of the International Fund for Documentary Photography.

From CHOICELight (Univ. of California, Berkeley) uses the phrase "a witness to their time" to describe the social documentary photographers highlighted in this outstanding narrative of the lives and works of photographers, editors, and curators. This collection of interviews with many of the most important social documentary photographers of the late 20th century is an impressive work that records the joys and perils of photographers who attempt to document the world around them. Many of the photographers interviewed are not well-known names, but their images resonate with times and places that instantly will be recognizable to most readers. Only a single image accompanies each narrative, but a quick search of the Internet will bring many more images to light and reinforce the importance of this remarkable collection. This second edition (1st ed., 2000) would be excellent for a course on social documentary photography and a great read for anyone interested in the inner workings of the "mind's eye" of a documentary photographer. Light is in his own right an exceptional social documentary photographer, who has made an outstanding effort in compiling this wonderful collection.  Summing Up: Highly recommended. Upper-level undergraduates and above; general readers.–J. M. King, emeritus, University of Georgia“Photography can change the world. If you have any doubts, read this book. It will change your life.”—Brian Wallis, Chief Curator, International Center of Photography“Ken Light has managed to get very close to some of the greats in photography: Wayne Miller, Peter Magubane, Susan Meiselas, among others, and in the process created a document that is a guide for all young people who search of the truth.”—Danny Lyon“Seasoned pro, amateur, or fledgling photo-J school grad awash in the newest technologies, it's worth reading Ken Light's classic Witness in Our Time, which tells it like it is straight from the mouths of the best there ever were.”—Jeffrey D. Smith, Director, Contact Press Images“For all of us who have complained about how tough things are in these times (and who among us has not complained?), the voices in this book remind us photojournalism and documentary photography were never easy, not even for those included in this book who are generally accepted as stars in the profession.”—Jim McNay, past president of the National Press Photographers Association

Table Of Content

AcknowledgmentsIntroduction: Seeing and Believing–Kerry TremainPHOTOGRAPHERSHansel Mieth: The Depression and the Early Days of LifeWalter Rosenblum: Lewis Hine, Paul Strand, and the Photo LeagueMichelle Vignes: Magnum Photo Agency: The Early YearsWayne Miller: Word War II and the Family of ManPeter Magubane: A Black Photographer in Apartheid South AfricaMatt Herron: The Civil Rights Movement and the Southern Documentary ProjectJill Freedman: Resurrection CityMary Ellen Mark: Streetwise PhotographerEarl Dotter: The United Mine WorkersEugene Richards: Americans WeSusan Meiselas: Central America and Human RightsSebastião Salgado: WorkersGraciela Iturbide: The Indigenous of MexicoAntonin Kratochvil: The Fall of the Iron CurtainDonna Ferrato: Living with the Enemy: Domestic ViolenceJoseph Rodriguez: In the BarrioDayanita Singh: A Truer IndiaFazal Sheikh: Portrait of a RefugeeEDITORS AND CURATORSGifford Hampshire: The Environmental Protection Agency's Project DOCUMERICAPeter Howe: Life Magazine and OuttakesColin Jacobson: Independent Magazine and ReportageAnne Wilkes Tucker: The Museum ContextFred Ritchin: The Fish are Last to Know about the Water: The Emerging Digital RevolutionIN THE FIELDRonald Partridge: Dorothea Lange in the FieldDon McCullin: Vietnam: The Battle of Hue, 1968Bill Owens: Suburbia and a Passion for Seeing His WorldLarry Fink: Social GracesDavid Goldblatt: Once an Enemy: Apartheid and the New South AfricaMaya Goded: Tierra NegraAfterword: Witness in Our Time–Ken LightBibliographyImportant ReadingsIndex

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