Fools’ River
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Description
“You might not think a story set in the Bangkok sex trade is your cup of tea, but Timothy Hallinan might change your mind with the humanity of his characters against the seamy backdrop, notably his detective Poke Rafferty.”—Raleigh News & Observer The eighth installment in Timothy Hallinan’s Edgar Award–nominated ticking-clock thriller about the most dangerous facets of Bangkok’s seedy underbelly. The two most difficult days in Bangkok writer Poke Rafferty’s life begin with an emergency visit from Edward Dell, the almost-boyfriend of Poke’s teenage daughter, Miaow. The boy’s father, Buddy, a late-middle-aged womanizer who has moved to Bangkok for happy hunting, has disappeared, and money is being siphoned out of his bank and credit card accounts.It soon becomes apparent that Buddy is in the hands of a pair of killers who prey on Bangkok’s “sexpats”; when his accounts are empty, he’ll be found, like a dozen others before him, floating facedown in a Bangkok canal with a weighted cast on his unbroken leg. His money is almost gone.Over forty-eight frantic hours, Poke does everything he can to locate Buddy before it’s too late.
Additional information
Weight | 0.28 kg |
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Dimensions | 2.44 × 12.7 × 19 cm |
PubliCanadanadation City/Country | USA |
by | |
Format | Paperback |
Language | |
Pages | 368 |
Publisher | |
Year Published | 2018-9-25 |
Imprint | |
ISBN 10 | 161695972X |
About The Author | Timothy Hallinan has been nominated for the Edgar, Nero, Shamus, Macavity and Silver Dagger awards. He is the author of twenty widely praised books, including the Simeon Grist Los Angeles mysteries, the Poke Rafferty Bangkok thrillers and the Junior Bender Hollywood burglar novels, including Herbie’s Game, winner of the Lefty Award for Best Humorous Mystery. After years of working in the television and music industries, he now writes full-time. He lives in California and Thailand. |
A Bookreporter.com Best Book of 2017Praise for Fools' River"Absorbing . . . The more we learn about the people in Fools’ River, the more we care about them—including some of the flesh chasers and even some of the villains (who turn out to be at least in part victims themselves). And there’s the empathetic Poke himself, his “emotions . . . so close to the surface [you] can almost see them moving around under his skin.” All too human or not, Poke proves up to correcting the wrongs he sets out to right." —Tom Nolan, The Wall Street Journal"You might not think a story set in the Bangkok sex trade is your cup of tea, but Timothy Hallinan might change your mind with the humanity of his characters against the seamy backdrop, notably his detective Poke Rafferty." —Raleigh News & Observer "Outstanding . . . Fans of hard-boiled detective fiction will feel right at home." —Publishers Weekly, Starred Review "In a bravura performance, Hallinan brings all these stories together around Poke, whose mission as a sleuth is to clear obstacles from the paths of those with the guts to become who they want to be. A gripping thriller, yes, but one that never loses the rhythm of its characters’ beating hearts." —Booklist, Starred Review "[Hallinan] ups his always high-level game . . . Masterful subplots and nuances abound." —BookPage, Top Pick "Complex and richly drawn." —Lit Hub "I'd no more forget to read a new Poke Rafferty mystery than I'd forget to put on my glasses first thing in the morning." —Kittling Books "This is what a truly fine thriller is for: to let you, force you, to ignore the rest of your life and accept that all the love that needs saving, all the life that matters, is in the next chapter. " —Kingdom Books "One of the best [series] out there." —Reviewing the Evidence Praise for the Poke Rafferty Thrillers “You could drown in the waves of corruption that surge through Timothy Hallinan's Bangkok mysteries.” —The New York Times Book Review “Poke is a charming protagonist who loves his family and friends fiercely and will do anything to protect them. Highly entertaining.” —Library Journal, Starred Review “Presents a view of Thailand's underbelly that few visitors ever see.” —Contra Costa Times “A fast-paced, compelling tale, but also, on every level, a fine literary read. His characters are fully drawn, his Bangkok beautifully evoked, his understanding of the complexities of the human condition so obvious and so full of compassion. This isn’t a book just for those in search of a great thriller. It’s for anyone in search of a great story—period.” —William Kent Krueger, Edgar-winning author of Ordinary Grace“In Hallinan's Bangkok, the ugly truths of poverty, homelessness, corruption, caste and crime are shaded with tremendous compassion.” —The Arizona Republic |
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Excerpt From Book | Chapter 1French or Swiss The blinds are drawn the way they’ve been drawn forever, with the inside edges of the slats tilted upward to block his view of the sky and the fall of sunlight through the window, which means he has no idea what time it is. Not that knowing would do him any good. He had a watch once, a gold one, French or Swiss or something like that, European, but he hasn’t seen it since he got here. Wherever here is. Why are the blinds angled that way? The woman who pretends to be a nurse said it was to keep the sun from shining into his eyes and waking him up in the morning. When he asked her to open them so he could see the sky, she’d ducked her head and said, “Mmm-hmmm,” the way she always does when she means no. Her uniform has an old stain, the color of tea and shaped like a flying bird, over her right breast, and the surgical mask she always wears is smeared with dark lipstick on both sides, as though she puts it on without looking at it. Usually the edges of the red imprint curve up in a kind of smile. It’s the same mask and the same uniform day after day after day. She wears the nurse’s cap at an angle he supposes is meant to be jaunty, so far to one side that it requires a glittering little fence of bobby pins to keep it in place. He hasn’t seen her face since he woke up in this bed, although he saw it several times before, even knew her name, or at any rate a name she used. But now it’s the mask, the lipstick, the cap, the “Mmm-hmmm”s. So in addition to trying to track the time of day, he’s been worrying about what the mask might mean. She hasn’t opened the blinds. Still, a few days ago—four? six?—he’d noticed that the room gets a little brighter during the day, and he’s pretty sure that it would get dimmer if his room were on the sunrise side of the hospital. So there, his mind is still working. Despite all the shit they’re pumping into him. Except, he thinks, he might have realized it twice. Or even three times. It’s hard to keep track. But the most recent time the thought had presented itself, he’d marked it mentally, the way he used to do when he was in business and drowning in information; he tied it to something everyday. The client with the pointed nose was Mr. Byrd; the office suite was 321, the final countdown in that awful, unforgettable song. It always worked. So this time he chose “Sunday,” putting all the energy he could summon into chalking it on the wall in his mind. Sunday. Sun day. The sun brightens as the day goes on: Sunday. So now he knows she lied to him about the blinds; if the sunlight ever reached his bed, it would be in the early evening, just before it set. And there’s one other thing that she’s not aware he knows. There’s water outside. For a few hours every day, probably when the sun is highest, the ceiling just above the window ripples. It’s got to be the sun, reflected off water and bouncing up through the angled blinds. A klong, maybe? Bangkok is full of them, a fractal tangle of waterways, mostly brown and usually sluggish, with a thick skin of casual sewage despite recent cleanup campaigns, afloat on water from the Chao Phraya, the river that splits the city in two, like the center of a giant blighted butterfly: the river its spine, its wings the filthy city through which the klongs meander. So knowing that there’s a klong out there—if there is—doesn’t help much. Hell, it could be a swimming pool. His nose itches. Now that he can’t reach it, it always itches. The woman who’s not a nurse cuffed both his hands to the frame of the hospital bed the day he tried to remove the IV drip. He’d guessed that whatever mixtures of dope they were giving him, they were in the drip. So he’d crimped the tube and then given it a yank, but it had set off some kind of alarm, and she’d come in with the doctor right behind her. The doctor, who was the size of a house, enormous for a Thai, had the cuffs in his hand. That was early on the day—he’s almost certain it was the same day—that he woke up, maybe eight hours later, with a cast on his left leg. Hard as he tries, and he hasn’t got much else to do, he can’t remember breaking it. She put in a new drip an hour or so ago, her mask upside down today so the corners of the red lip print angle down. The room seems to be changing size: bigger, smaller, bigger, smaller. His eyes close. What was it about Sunday? |
Series |
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