A Dead Man in Deptford

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Description

‘One of the most productive, imaginative and risk-taking of writers… It is a clever, sexually explicit, fast-moving, full blooded yarn’Irish TimesA Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country. Burgess brings this dazzling figure to life and pungently evokes Elizabethan England.

Additional information

Weight 0.203 kg
Dimensions 1.9 × 12.9 × 19.7 cm
by

Format

Paperback

Language

Pages

288

Publisher

Year Published

2010-12-2

Imprint

Publication City/Country

London, United Kingdom

ISBN 10

0099541394

About The Author

Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He served in the British army from 1940 to 1946 and was a schoolteacher in England before becoming a colonial education officer in 1954. His Malayan trilogy of novels and a history of English literature were published while he was living in Malaya and Brunei.He became a full-time writer in 1959 and achieved a worldwide reputation as one of the most versatile novelists of his day. His writings include biographies of Shakespeare and Hemingway, critical studies of James Joyce, stage plays, and two volumes of autobiography. His work as a composer and librettist includes the Broadway musical, Cyrano, and Blooms of Dublin, an operetta based on Joyce's Ulysses.His 33 novels continue to be published all over the world. They include A Clockwork Orange, Nothing Like the Sun, The Complete Enderby, Earthly Powers, Napoleon Symphony, and Beard's Roman Women, a collaboration with the photographer David Robinson.Anthony Burgess died in London in 1993.

Legendary intoxication with language and wordplay is very much in evidence as he (Burgess) evokes the raw, freewheeling spirit of the Elizabethan age

Other text

The story is intensely true to the surfaces and smells of Elizabethan London, and also Burgess's own final meditation on his great themes, the sexual and artistic impulses, and their end in death. A masterpiece.

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