Madresfield: One house, one family, one thousand years
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Description
Madresfield Court is an arrestingly romantic stately home in the Malvern Hills in Worcestershire. It has been continuously owned and lived in by the same family, the Lygons, back to the time of the Domesday Book, and, unusually, remains in the family’s hands to this day. Inside, it is a very private, unmistakably English, manor house; a lived-in family home where the bejewelled sits next to the threadbare. The house and the family were the real inspiration for Brideshead Revisited: Evelyn Waugh was a regular visitor, and based his story of the doomed Marchmain family on the Lygons.Never before open to the public, the doors of Madresfield have now swung open to allow Jane Mulvagh to explore its treasures and secrets. And so the rich, dramatic history of one landed family unfolds in parallel with the history of England itself over a millennium, from the Lygon who conspired to overthrow Queen Mary in the Dudley plot; through the tale of the disputed legacy that inspired Dickens’ Bleak House; to the secret love behind Elgar’s Enigma Variations; and the story of the scandal of Lord Beauchamp, the disgraced 7th Earl.
Additional information
Weight | 0.346 kg |
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Dimensions | 3 × 12.7 × 19.8 cm |
by | |
Format | Paperback |
Language | |
Pages | 512 |
Publisher | |
Year Published | 2009-2-26 |
Imprint | |
Publication City/Country | London, United Kingdom |
ISBN 10 | 0552772380 |
About The Author | Jane Mulvagh read history at Cambridge and is the author of a biography of Vivienne Westwood. She lives in Yorkshire and London, and has been researching Madresfield for the last three years. |
Madresfield is a scholarly, evocative and beautifully written study, in which Jane Mulvagh builds up a thrillingly vivid historical portrait . . . Madresfield is a little masterpiece, as rich and rare as the house itself and all its fabulous store of treasures. |
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Other text | Fascinating history of this very private house . . . Mulvagh is a tactful tour-guide with a convincing appreciation of the periods and materials that have enriched the place . . . she sets the reader at ease, and generally knows how to prick our interest . . . lays out for the first time the full heartbreaking background. |
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