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A Collection of Classic African American Poetry: soulscript
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Black poets from the early twentieth century and onward come together for a moving anthology, edited and organized by the late, revered poet June Jordan. First published in 1970, soulscript is a poignant, panoramic collection of poetry from some of the most eloquent voices in the art. Selected for their literary excellence and by the dictates of Jordan’s heart, these works tell the story of both collective and personal experiences, in Jordan’s words, “in tears, in rage, in hope, in sonnet, in blank/free verse, in overwhelming rhetorical scream.” Soulscript features works by Jordan and other luminaries like Gwendolyn Brooks, Countee Cullen, Paul Laurence Dunbar, Nikki Giovanni, Langston Hughes, Gayl Jines, James Weldon Johnson, Audre Lorde, Claude McKay, Ishmael Reed, Sonia Sanchez, and Richard Wright, as well as the fresh voices of a turbulent era’s younger writers. Celebrated spoken-word poet Staceyann Chin, an original cast member of Def Poetry Jam on Broadway, has also added an introduction that speaks to Jordan’s legacy, helping to further cement soulscript as a visionary compilation that has already become a modern classic.
Additional information
| Weight | 0.2412102 kg |
|---|---|
| Dimensions | 1.27 × 13.97 × 20.955 cm |
| Author(s) | |
| Format Old` | |
| Language | |
| Publisher | |
| Year Published | 2004-11-2 |
| Imprint | |
| Publication City/Country | USA |
| ISBN 10 | 0767918460 |
| About The Author | JUNE JORDAN was an internationally recognized and beloved writer, teacher, and activist. The author of many books of poetry and essays, including Kissing God Goodbye, Haruko/Love Poems, Some of Us Did Not Die, and Affirmative Acts, she died from breast cancer in 2002.Harlem Moon Classics Series Advisor: Gina Dent, Associate Professor of Women’s Studies and History of Consciousness, University of California, Santa Cruz. |
“In political journalism that cuts like razors, in essays that blast the darkness of confusion with relentless light; in poetry that looks as closely into lilac buds as into death’s mouth . . . she has comforted, explained, described, wrestled with, taught and made us laugh out loud before we wept . . . I am talking about a span of forty years of tireless activism coupled with and fueled by flawless art.”—Toni Morrison, on June Jordan |
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| Excerpt From Book | MY PEOPLE by Langston HughesThe night is beautiful, So the faces of my people. The stars are beautiful, So the eyes of my people. Beautiful, also, is the sun.Beautiful, also, are the souls of my people. UNCLE BULL-BOY by June JordanHis brother after dinneronce a year would play the pianoshort and tough in white shirtplaid suspenders green tie andchecked trousers.Two teeth were gold. His eyeswere pink with alcohol. His fingersthumped for Auld Lang Syne.He played St. Louis WomanBoogie, Blues, the lightpedestrian. But one night after dinnerafter chitterlings and pigs' feetafter bourbon and rum and ryeafter turnip greens and mustard greensand sweet potato pieBullboy looking everywhererealized his brother was not there.Who would emphasize the luxuryof ice cream by the gallon who wouldrepeat effusively the glamour not the gallof five degrees outstanding on the wall?Which head would nod and then recallthe crimes the apples stolen from the stallsthe soft coal stolen by the pile?Who would admirethe eighteenth pair of fortydollar shoes?Who could extol their mother with goodbrandy as his muse?His brother dead from drinkingBullboy drank to clear his thinkingsaw the roach inside the riddle.Soon the bubbles from his glasswere the only bits of charmwhich overcame his folded arms.AMERICAN GOTHIC by Paul VeseyTo Satch(The legendary Satchel Page, one of the star pitchers in Negro baseball)Sometimes I feel like I will never stopJust go on foreverTil one fine mornin'I'm gonna reach up and grab me a handfulla starsSwing out my long lean legAnd whip three hot strikes burnin' down the heavensAnd look over at God and sayHow about that! |
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