A Guide to Traditional and Digital Techniques: Modern Printmaking
26.00 JOD
Please allow 2 – 5 weeks for delivery of this item
Description
A fully illustrated instructional printmaking book presenting step-by-step examples alongside representative works from thirty top contemporary printmaking artists. Printmaking is flourishing in the modern era, appealing to both traditional artists as well as those interested in graphic design and digital techniques. This all-in-one guide is both technical and inspirational, examining the history and contemporary processes of relief, intaglio, lithography, serigraphy, mixed media, digital transfers, and post-digital graphics. Featuring step-by-step examples alongside representative works and profiles of top printmaking artists, this colorful resource provides a truly fresh look at printmaking today, in all its forms.
Additional information
Weight | 1.33 kg |
---|---|
Dimensions | 2.6 × 21.04 × 26.17 cm |
PubliCanadation City/Country | USA |
by | |
format | |
Language | |
Pages | 320 |
publisher | |
Year Published | 2016-1-26 |
Imprint | |
ISBN 10 | 1607747596 |
About The Author | SYLVIE COVEY was born in France and studied graphic arts at the Ecole Nationale Superieure des Arts Decoratifs in Paris. She has taught digital and photo techniques in printmaking at the Fashion Institute of Technology in New York since 2001 and has been an instructor at the Art Students League of New York since 1995. Her work has been exhibited throughout Europe, Asia, and North and South America and has been acquired by major museums and institutions. She lives in New York City. |
“Sylvie Covey’s excellent book on printmaking is not only beautiful and informative but also covers a wide range of printmaking processes, both conventional and digital, with detailed information on tools, inks, papers, and presses. Well designed and visually accessible, this book is a must-have for artists, laypeople, and anyone wanting to know more about the methodology and practice of printmaking.” —SUSAN CRILE, artist and professor at Hunter College |
|
Table Of Content | Foreword by Ira Goldberg vi Acknowledgments viii Introduction 1 Some Basic Terms and Definitions 2 About This Book 7 Part I: Relief Printmaking 1 , Relief Printmaking Background and Basics 11 A Brief History 11 Western- versus Japanese-Style Relief Printing 18 2 , Woodblock Printing 29 Equipment and Materials for Woodcuts 29 Reduction-Method Woodblock Printing 31 Western-Style Multiblock Woodcuts 43 Japanese-Style Multiblock Woodcuts (Ukiyo-e) 44 3 , Linoleum Block Printing 49 Equipment and Materials for Linocuts 49 Single-Color (Black and White) Linocuts 50 Color Reduction Linocuts 53 Part II: Intaglio Printmaking 4 , Intaglio Printmaking Background and Basics 61 A Brief History 65 Equipment and Materials 72 Preparing the Plate 77 5 , Non-Acid Intaglio Techniques 81 Drypoint 82 Engraving 83 Mezzotint 87 6 , Acid Intaglio Techniques 97 Hard Ground Etching 97 Soft Ground Etching 103 Aquatint 109 Acid-Resist Open Bite Etching 125 Embossing 129 Sugar Lift 132 7 , Collography 137 8 , Photo-Etching and Photogravure 143 Polymer Photo-Etching 143 Toner Transfer Photo-Etching 151 Polymer Photogravure 155 9 , Printing Intaglio 159 Printing in Monochrome 159 Printing in Multiple Colors à la Poupée 162 Printing in Multiple Colors—Color Separation Method 163 Roll-up Viscosity Printing 163 Part III: Lithography And Serigraphy 10 , Lithography 169 A Brief History 171 Equipment and Materials 177 Stone Lithography 181 Hand-Drawn Lithography on Aluminum 200 Photolithography 206 Pronto Polyester Lithography 214 Paper Lithography 221 11 , Serigraphy 225 A Brief History 226 Equipment and Materials 228 Basic Screen Printing Techniques 230 Part IV: Chine-Collé, Mixed Media, and New Printmaking Techniques 12 , Chine-Collé 239 13 , Mixed Media 251 Richard Pitts 252 Jase Clark 256 Slavko Djuric 260 Shelley Thorstensen 264 Janet Millstein 268 Marcin Wlodarczyk 272 14 , Digital Transfers 276 15 , Post-Digital Graphics 285 Resources 296 For Further Reading 299 About the Author 301 Index 302 |
Excerpt From Book | ForewordTo be an instructor at the Art Students League of New York is to hold a position of distinction among artists. The League’s faculty is an elite group of professional artists who are all recognized in their fields. Each instructor has a unique voice that puts a signature to his or her work and ultimately identifies its creator. The mastery and knowledge they convey to their students come from a lifetime of dedication and exploration of their chosen mediums. It is that dedication, as well as their ability to teach the techniques and means to understand the language of art, that inspires the thousands of students who study at the League each year and the literally hundreds of thousands who have trained here for nearly a century and a half. Sylvie Covey exemplifies those qualities of professionalism, mastery, and dedication. An émigrée from Paris, where she studied at the prestigious École Nationale Supérieure des Arts Décoratifs, Ms. Covey came to the League to continue her studies, taking classes with master printmakers Michael Ponce de Leon and Seong Moy. She went on to study at Hunter College in New York, receiving an MFA in printmaking, drawing, and works on paper. Through this intensive study Ms. Covey became a master printmaker, not only mastering the traditional techniques of intaglio, lithography, and relief printmaking but also using that knowledge to establish her own voice within the contemporary oeuvre of digital printmaking and photo-etching as well as photolithography. Ms. Covey has proved to be as notable an instructor as she is an artist. Every year as part of the League’s annual student concourse, her class exhibitions reveal the highly polished professionalism of her students, who have availed themselves of their instructor’s rich and in-depth knowledge of the entire medium. Students at the Fashion Institute of Technology and the Art Center of Northern New Jersey continue to benefit from Ms. Covey’s expertise. As Executive Director of the Art Students League, I am very proud to call Sylvie Covey a League instructor. Along with the other members of the League’s faculty, she is helping to pave the way for today’s generation of artists to explore the potential of a traditional medium in ways that will allow them to speak eloquently and poetically in the future. Ms. Covey herself is a luminous example of that potential realized. |
Only logged in customers who have purchased this product may leave a review.
Reviews
There are no reviews yet.