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All That Man Is
19.00 JOD
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Shortlisted for the 2016 Man Booker Prize A brilliantly observed, large-hearted work of fiction that introduces to a North American audience a major and mature literary talent. For readers of David Bezmozgis, Nathan Englander, Neil Smith, John Cheever, and Milan Kundera. Nine men. Each of them at a different stage of life, each of them away from home, and each of them striving – in the suburbs of Prague, beside a Belgian motorway, in a cheap Cypriot hotel – to understand just what it means to be alive, here and now. Tracing an arc from the spring of youth to the winter of old age, All That Man Is brings these separate lives together to show us men as they are – ludicrous and inarticulate, shocking and despicable; vital, pitiable, hilarious, and full of heartfelt longing. And as the years chase them down, the stakes become bewilderingly high in this piercing portrayal of twenty-first-century manhood.
Additional information
Weight | 0.44 kg |
---|---|
Dimensions | 2.34 × 13.97 × 20.88 cm |
PubliCanadation City/Country | Canada |
Author(s) | |
Format Old` | |
Language | |
Pages | 448 |
Publisher | |
Year Published | 2016-5-10 |
Imprint | |
ISBN 10 | 0771078005 |
About The Author | DAVID SZALAY was born in Montreal in 1974, moved to the UK the following year and has lived there for many years until recently moving to a small town in Hungary. He went to Oxford University and has written a number of radio dramas for the BBC, as well as three previous novels. He won the Betty Trask Prize for his first novel London and the South-East, along with the Geoffrey Faber Memorial Prize. He was recently named one of The Telegraph's Top 20 British Writers under 40 and has also made it onto Granta magazine's 2013 list of the Best of Young British Novelists. The author lives in Hungary. |
Praise for All That Man Is: "[If] you are unfamiliar with [Szalay’s] work, let me urge you to read him since, on this evidence, he is one of those rare writers with skill in all the disciplines that first-rate fiction requires. Szalay’s writing is virtuosic whether observing external realities or psychology . . . he also has a prose style that marries nuance and precision with a kinetic cadence; his language is energetically alive throughout. . . . These are the best stories I’ve read for ages." – The Guardian "All That Man Is [is] the perfect vehicle for his [Szalay’s] particular talent. That talent is noticing. Like John Updike, he not only perceives the banal, everyday world in an acute and photographic way but he can also translate it into high-definition prose. All That Man Is is a showcase for Szalay’s virtuosic range." – Telegraph"Each story is a beautifully crystallised vision of what it is for a man to be a particular age . . . Szalay’s forensic untangling of their psyches, and his talent for painting delicious destinations . . . make you want to journey with them to the bitter end. . . . It’s hard to imagine reading a better book this year." – The Times"His [Szalay’s] new book is populated by small men with oversized ambitions. . . . Far from celebrating man's infinite variety, the book reveals his endless repetitiveness. One of Szalay's strengths is that he is able to reveal his characters’ limitations – and, quite often, their absurdities – without mocking them. . . . [He] is capable of conjuring tenderness from any situation. . . . [Readers] will find a great deal to enjoy in these pages, and further evidence that Szalay is one of the best fortysomething writers we have." – The Guardian "Each story grips the reader by the throat. We fully inhabit their progression of heroes and finally face the dreadful truth of the human condition: that nothing is eternal, not us, not our children, the human race, the Earth nor the stars. Rarely has it been so brilliantly and chillingly spelled out." – Daily Mail Praise for David Szalay's work: • "He is a writer who can take you anywhere." The Sunday Times • "Anyone who appreciated Martin Amis's Koba the Dread and Orlando Figes's The Whisperers will love it, as will fans of The Lives of Others or Burnt by the Sun. As with both films, the theme of silent, regret-filled horror is beautifully, chillingly captured." Viv Groskop, The Observer • "Like Milan Kundera, Szalay positions his characters somewhere along the endlessly contested lines that he draws between comedy and something subtler, less showy, and altogether sadder than tragedy." The Guardian, Chris Cleave, author of Little Bee |
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Excerpt From Book | He leaves the office two hours earlier than usual. Mid-afternoon, half-empty train to Gatwick. A window seat on the plane. Weak tea, and a square of chocolate with a picture of Alpine pasture on the wrapper. And then it hits him. Floating over the world, the hard earth fathoms down through shrouds of mist and vapour, the thought hits him like a missile. Wham. This is it. This is all there is. There is nothing else. A silent explosion. He is still staring out the window. This is all there is. It’s not a joke. Life is not a joke.She is waiting for him at arrivals, holding up an iPad with his name on it, though she knows what he looks like from his picture on the website and approaches him, smiling, as he stands there facing the wall of drivers with their flimsy signs. ‘James?’ she says. The difference in height is significant. ‘You must be Paulette.’ She has a scar – is it? – on her lower lip, a pale little lump, somewhat off centre. There is a handshake. ‘Welcome to Geneva,’ she says. And then, the motorway – on stilts, through tunnels. France. The low sun on one side of his face. Fresh evening light. She says, ‘So, tomorrow.’ ‘Yes.’ He is watching something outside, something on the move in the green-gold light. Everywhere he looks, he sees money. ‘I’ve arranged for us to meet them at the site,’ she says. ‘Fine. Thank you.’ She is efficient, he knows that. She answers his emails promptly, with everything he needs. He had started speaking to her in French, as he followed her out of the arrivals lounge. She had answered in English, and for a minute there was a silly situation with each of them speaking the other’s language. An immaculate, turning tunnel – a sound like holding a shell to your ear. Then the long, late-summer dusk again. He says, in English, ‘What’s the weather going to be like? Tomorrow.’ It is important, will make a difference. ‘Like this,’ she says. ‘Perfect.’ ‘That’s nice.’ ‘I arranged it for you.’ It sounds slightly awkward, the way she says that. He smiles tiredly. Stops smiling. Shifts his feet in the footwell. ‘Well,’ he says, after too long a pause, ‘thank you.’ The surge of the motorway is making him sleepy. The lush glow of everything. Outside, green slopes strive skywards, rich with evening sunlight, thickly gold. Les Chalets du Midi Apartments consists of twelve brand new apartments in one of the most lovely valleys in the French Alps. There is a wide variety of 1, 2, 3 and 4 bedroom apartments available from 252,000 euros ex VAT located in a central location in the lively and popular village of Samoëns. The village of Samoëns is a charming French village with many shops, restaurants and bars . . . How many years has he been doing this now? They leave the motorway at Cluses, and she pays a toll. Cluses is prosaic, a series of small roundabouts. Flower baskets hanging from street lights. Midget plane trees brutally pollarded in the French fashion. It is where she lives, she tells him. She leans forward over the wheel to look up at some window and, pointing with a lifted index finger, says, ‘That’s where I live.’ ‘Okay,’ he says, pretending to be interested. Then they have left the town and are hairpinning up the side of the valley. On the other side, mountains soak up what is left of the sunlight. She lowers her window a little. The air smells of manure, wet grass. ‘Do you know the area?’ she asks. He says he doesn’t. ‘Mostly we do stuff a bit further south,’ he explains. ‘Cham. Val d’Isère.’ She nods. ‘Courchevel.’ She works for the developer, Noyer. ‘I cover part of Switzerland too,’ he tells her. ‘I see.’ The hairpins are over. The road passes through villages, under trees, through massing shadow. ‘This is nice,’ he says politely. She nods again. ‘Yes, it’s nice, up here.’ ‘Very. Has Monsieur Noyer got other plans?’ he asks, trying not to sound too interested. ‘After this.’ ‘I think so. You can ask him, on Friday.’ ‘I will.’ He wonders what Noyer is like, whether they’ll get on. What Noyer will make of his proposal. He isn’t even sure what his proposal will be yet. He needs to think about that. ‘It’s more and more popular, this area,’ she says. ‘I bet.’ ‘It’s more typical,’ she says, ‘than the more established areas.’ ‘Seems like it.’ A village. They slow markedly – severe speed humps. Trees heavy with moss. Ski-hire shops – Location du ski – shuttered out of season. Signs advertising honey for sale. ‘We’re nearly there,’ she says, accelerating as they leave the village. ‘It’s the next one.’ It is evening now, unambiguously. She has turned on the headlights. There is a long straight stretch with solemn tall pines. Then the road swings left, passes over the noise of hurrying water – he sees it fraying white over stones – and they are there. ‘Here we are,’ she says. A mass of signage meets them – signs for hotels, pizzerias, walking trails, ski lifts. Everyone trying to make some sort of living. And then the deeper gloom of a modest avenue of trees. On either side of the road, among the apartment buildings, a few old blackened barns still stand in unsold fields. Quickly, imprecisely, seeing them through the trees, he tries to work out what they might be worth, those fields. |
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