Angel & Hannah: A Novel in Verse

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Description

The sweeping, unforgettable story of an interracial couple in 1990s New York City who are determined to protect their love against all odds—a reimagining of Romeo and Juliet“Triumphant . . . sensuous, tender, and faceted like cut glass.”—Cathy Park Hong, award-winning author of Minor FeelingsHannah, a Korean American girl from Queens, New York, and Angel, a Puerto Rican boy from Brooklyn, fall in love in the spring of 1993 at a quinceañera: under a torn pink streamerloose as a tendril of hair—lush—his eyes. Darkluminous. Warm. A blushfloods her. Hannah sucks in her breath, but can’t pull back. Music fades. A hush ~he’s a young buck in the underbrush,still in a disco ball dance of shadow & lightTheir forbidden love instantly and wildly blooms along the Jackie Robinson Expressway. Told across the changing seasons, Angel & Hannah holds all of the tension and cadence of blank verse while adding dynamic and expressive language rooted in a long tradition of hip-hop and spoken word, creating new and magnetic forms. The poetry of Angel and Hannah’s relationship is dynamic, arresting, observant, and magical, conveying the intimacies and sacrifices of love and family and the devastating realities of struggle and loss.

Additional information

Weight 0.19 kg
Dimensions 1.3 × 13.87 × 20.86 cm
PubliCanadation City/Country

USA

by

Format

Paperback

Language

Pages

192

Publisher

Year Published

2021-5-11

Imprint

ISBN 10

059313432X

About The Author

Ishle Yi Park is the first woman to become poet laureate of Queens, New York. An award-winning poet, singer, hula dancer, surfer, certified yoga teacher, lomilomi practitioner, and mother, she’s traveled the world reading and performing at universities and writing festivals. Park has organized benefits and shared the stage with other activists, including Sonia Sanchez and Angela Davis. She is of Korean ancestry, and both her daughters were born and are now being raised on the Hawai’ian islands.

“Ishle Yi Park speaks to us from the most tender, furious, and emotionally raw space in her breathtaking novel in verse. Angel & Hannah makes love feel revolutionary and desire feel like embattled truth. Reading it, I was often breathless, believing in the brilliance that is the bruised wonder of youth. Park brings us as close to a heart’s fire as we are willing to go and leaves us soaring over the possibility of a new dream.”—Tina Chang, award-winning poet and author of Hybrida“I love the way that verse and form offer a type of restraint, inside of which the imagination of both writer and reader can flourish. Ishle Yi Park does a stunning job of using bursts of language and imagery to reconceptualize and reframe a familiar narrative. I loved sinking into the world of this book. I could feel the seasons changing.”—Hanif Abdurraqib, award-winning author of A Fortune for Your Disaster and Go Ahead in the Rain“Angel & Hannah is a gorgeously written, unforgettable, sweet, and wild love story. In the heart of Queens and Brooklyn, we feel the electricity of a first love, race and culture, desire and trouble, as the young lovers come alive, ‘stunned in sweetness.’ Park writes, ‘Why are they in love, you ask? Why does water love sky? Moon chase sun? Light reflect light?’ The brilliant, cinematic verse and boundless heart let us breathe in the music of Angel and Hannah’s grace and grief. I love and recommend this book with my whole heart.”—Lee Herrick, former poet laureate of Fresno, California, and author of Scar and Flower “Angel & Hannah is triumphant. Ishle Yi Park’s narrative sequence of sonnets is sensuous, tender, and faceted like cut glass. I feel protective of Angel and Hannah. I want their love to flourish like an empress tree growing in an abandoned lot in Queens. These fresh and absolutely necessary poems of a cross-racial romance need to be trumpeted from the rooftops, overtaking the canonized Romeos and Juliets and Heathcliffs and Catherines. I love this book.”—Cathy Park Hong, award-winning author of Minor Feelings

Excerpt From Book

I.PrimaveraSpringPsst. Ven acá. Illuwah.Let me whisper you a story.Way back in the spring of 1993,Hannah met Angel in the heart of Jamaica, Queens.They were crossing Union Turnpike in da blue of the nightwhen they caught eyes. Froze like winter headlights.It was shock at first sight, loud as lightning, da chargebetween them nearly stopped trafficas the city slipped away like a raw silk dress~stood two wingless angels, a lovely messbut desde el primero, Love was put to the testHannah kept Angel hidden from her strict parents,nestled in his twin bed, imagined them a rebelRomeo & Juliet(the book slept dog-­eared in her JanSport as she cradledhis head, & dreamt a wild new life: star-­crossed, star-­blessed).PerfectBy second grade, Hannah learns how to please.Sits first row, hand raised like a timid daisy.96% on math, 100% on spelling.Ms. Olive wants her to skip a grade.Perfect, except when she turns mute,when her eyelids droop like deadweights.No one knows her father robbed her sleep,kicking her mother at night. How she stood between,a boxing referee, sobbing, Hajimah! Stop it.Please . . . voice crumbling like chalk.Next morning, her mother pulls Hannah’s hairinto two high, happy pigtails. Clips her OshKosh dungarees.Be good girl, Uma asks. Yes, Uma, Hannah says, voice bright& thin as her classroom’s sick fluorescent lights.Little SoldierIn second grade, Angel’s a small, inept soldier,shoved daily by Alex, one head taller, one year older,who calls him Red-­bone, Spic, Rice n’ Beans.Cokebottle glasses enlarge Angel’s eyes as he finger-­traceswords in Lassie. Bark becomes dark.Consonants loom like pines.He’s sunless, compasslessin the last row’s backwoods. No onesearches for him. Mr. Heller, lost in crosswords,sips coffee. Snaps, will ya shut up please?All of you—­heads down! Keep reading.Under his desk, Angel breaks a pencil . . .a quiet pressure of thumbs —­ crackk! —­Mr. Heller’s head shoots up, a startled buck —­Who did that? Silence. Alex’s spitballgrazes Angel’s ear, a white bullet.Before AngelThe neighborhood whizzes past her. Hannah flees.Rides her ten-­speed to the bay, air tingedwith gull-­squawks and salt-­wind.A tongue of rock laps into water. Shewalks barefoot over crevices, stinkweed,a stone with Tony & Gina forever inkedin Wite-­Out. A rat clinks past a Heineken.She stares out to where the sky bleedsblue into water, to the very edgeof herself. She wishes herself there. Pastthe low slurp and suck of ebb & tide,past Apa’s backhanded slap,fist choked with Uma’s hair, where a crescentmoon thins like a daughter pedaling into air.BedHannah lies on a bed of books at night.She enters them, portals to escapethe sad, repressed air of her parents,she flies on a magic carpet of wordsout the window over wild, lush gardens,to fat gold pear trees. Leaps off fire escapes,to moonscapes where a stallion huffsand paws at the broken silver beneathher hooves, she feels their ghost snortson her neck as she nuzzles them,the stallion crunches fat green apples, wordslike duende, hearth, tribe, flute her ears . . .thin book ~ spines press against her spine,and shadowy pages billow with her breath.AviationAngel goes to Aviation High School,cuz even though he rarely leaves his hood,he dreams of soaring sky high, a coollegend in control of flight ~ he cantaste the sweet wind, when he makes a fleet of paper planesin class, but Mr. Heller misunderstandshis daydreams for disrespect, claimsAngel aimed the paper missiles to hit his balding head.Suspended for three days. Teachers are all the same,he thinks, while rolling up a Philly blunt.He’ll get his high another way now, blowingO’s of gray smoke out his kitchen window for fun.Inside, he feels a small despair growing,but keeps his guard up, no hurt showing.

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