Architecture’s Theory:

34.95 JOD

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Description

A collection of illuminating essays exploring what theory makes of architecture and what architecture makes of theory in philosophical and materialized contexts.From poststructuralism and deconstruction to current theories of technology and nature, critical theory has long been closely aligned with architecture. In turn, architecture as a thinking profession materializes theory in the form of built work that always carries symbolic loads. In this collection of essays, Catherine Ingraham studies the complex connectivity between architecture’s discipline and practice and theories of philosophy, art, literature, history, and politics. She argues that there can be no architecture without theory.Whether considering architecture’s relationship to biomodernity or exploring the ways in which contemporary artists and designers engage in figural play, Ingraham offers provocative interpretations that enhance our understanding of both critical theory and architectural practice today. Along the way, she engages with a wide range of contemporary theorists, including Giorgio Agamben, Judith Butler, Jacques Derrida, Graham Harman, and Timothy Morton, considering buildings around the world, including the Palace of Culture in Warsaw, the Viceroy’s House complex in New Delhi, Mack Scogin and Merrill Elam’s Wolfsburg Science Center project in Germany, and the Superdome in New Orleans. Approaching its subject matter from multiple angles, Architecture’s Theory shows how architecture’s theoretical and artifactual practices have a unique power to alter culture.

Additional information

Weight 0.42 kg
Dimensions 1.91 × 13.49 × 3.63 cm
by

Format

Paperback

Language

Pages

272

Publisher

Year Published

2023-4-18

Imprint

Publication City/Country

USA

ISBN 10

0262544970

About The Author

Catherine Ingraham is a professor of architecture and urban design in the graduate architecture program at Pratt Institute in Brooklyn. She was a visiting faculty member at Harvard University’s Graduate School of Design from 2015 to 2019. A former editor of the journal Assemblage, she is the author of Architecture and the Burdens of Linearity and Architecture, Animal, Human.

Other text

“In Architecture’s Theory Catherine Ingraham offers both a renewed perspective and a poignant reminder of theory’s role in the discernment and production of architecture today.”—Mark Lee, Chair of the Architecture Department, Harvard Graduate School of Design “This book unabashedly celebrates architecture’s often awkward dance with built materiality, imagination, and agency, while also providing a scrupulous guide to the steps and moves that can make it so compelling.”—Stephen Cairns, ETH Zurich / Monash Indonesia, co-author of Buildings Must Die: A Perverse View of Architecture

Table Of Content

Preface: Questions for a Theorist with Aleksandra Stupar viiAcknowledgments xvIntroduction 11 Slow Dancing: Circa 1987 132 "Nothing Will Come of Nothing" 253 Creative Omnipotence: Architectural Objects 414 Democratic Subjects 535 "This Earth Has Lines upon Its Face" 676 Amphitheater: The Proprieties in Question 897 Evidence of Absence 1018 Evidence of Presence 1179 Biomodernity 13110 Faculties 14111 A Natural History of the Stock Exchange 16112 The Donkey's Way 183Coda: Hospitality 207Notes 213Index 247

Series

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