Ash Glazes: Techniques and Glazing from Natural Sources
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Description
Updated and revised, the 3rd edition of Ash Glazes examines the practicalities of collecting and testing wood ashes, the process of making them into glazes and using them to glaze your wares.
Forever curious and eager to learn new things about ceramics, Phil Rogers constantly tinkered with clay bodies, glaze formulas and approaches to firing. Ash Glazes is his seminal work on transforming ash into glaze: a core, essential text for all potters and ceramicists, with additional relevance for today with its focus on natural resources.
Ash Glazes examines the practicalities of collecting and testing wood ashes, demonstrates the process of making them into glazes and applying them to your wares, step by step.
This edition, revised and updated by Hajeong Lee Rogers and featuring new photographs and comments throughout, is a celebration of pottery at its best. From the history of ash glazes, designed as an introduction, to practical advice and methods, this book is infused with a freshness and breadth that includes a wide appreciation of international artist potters using ash in colourful and imaginative ways, providing inspiration for working potters and delight for all those interested in contemporary ceramics.
Additional information
Dimensions | 21.6 × 28 cm |
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Format | Hardback |
Imprint | |
Language | |
Pages | 192 |
Publisher | |
Year Published | 31-8-2023 |
About The Author | Phil Rogers was one of Britain's leading potters and advocates for his craft. From his studio near Rhayader in Powys, Wales, he created work that drew on eclectic styles, from medieval German salt-glazed wares to 15th-century Korean porcelain. A passionate promoter of the use of natural materials in glazes, he is widely regarded as one of the giants of UK ceramics. His work is held by museums around the world, including the V& A, the British Museum and the Museum of Modern Ceramic Art in Japan. Hajeong Lee Rogers grew up in South Korea where she later studied crafts at Sungshin Women's University and quickly became attached to the ceramics department. She won the National Award for Craft Art for one of her large ceramic sculptures in 2005. In 2011, she moved to Wales to be with her husband Phil Rogers where she started working in her own studio, making tableware with a fusion of traditional Korean techniques and patterns influenced by William Morris. Her work is included in the Reeves Collection, Washington and Fitzwilliam Museum, Cambridge. |
ISBN 10 | 178994094X |
Publication City/Country | London, United Kingdom |
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