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Birth of a Dream Weaver: A Writer’s Awakening

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Description

‘Exquisite in its honesty and truth and resilience, and a necessary chronicle from one of the greatest writers of our time’ Chimamanda Ngozi AdichieSelected as a Book of the Year 2016 in the GuardianWhen Ngugi wa Thiong’o arrives at the prestigious Makerere University, it embodies all the potential and excitement of the early 1960s. Campus is a haven of opportunity for the brightest African students, a meeting place for thinkers and writers from all over the world, and its alumni are filling Africa’s emerging political and cultural positions. Despite the challenges he faces as a young black man in a British colony, it is here that Ngugi begins to find his voice as a playwright, journalist and novelist, writing his first, pivotal works just as the countries of East Africa enter the final stages of their independence struggles.

Additional information

Weight 0.181 kg
Dimensions 1.6 × 12.9 × 19.8 cm
by

Format

Paperback
Language

Pages

256
Publisher

Year Published

2017-11-2
Imprint

Publication City/Country

London, United Kingdom
ISBN 10

1784701300
About The Author

Ngugi wa Thiong’o is one of the leading writers and scholars at work in the world today. His books include the novels Petals of Blood, for which he was imprisoned by the Kenyan government in 1977, A Grain of Wheat and Wizard of the Crow; the memoirs, Dreams in a Time of War, In the House of the Interpreter and Birth of a Dream Weaver; and the essays, Decolonizing the Mind, Something Torn and New and Globalectics. Recipient of many honours, among them ten honorary doctorates, he is currently Distinguished Professor of English and Comparative Literature at the University of California, Irvine.
Review Quote

I particularly loved [Birth of A Dream Weaver]… Exquisite in its honesty and truth and resilience, and a necessary chronicle from one of the greatest writers of our time.
Other text

The book tracks the blossoming of a politically conscious young writer’s talent in the nurturing environment that was Makerere in its prime. Egged on by fellow students, encouraged by the progressive dean Hugh Dinwiddy and offered tips by a visiting Chinua Achebe, Ngugi finds his creative voice just as a continent is finding its freedom. The convictions he forms will last a lifetime: the quest for African dignity and self-realization, a rejection of Western hegemony, a passionate call for Africans to tell their own story in their own indigenous languages.

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