Bright Air Black

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Description

In brilliant poetic prose Bright Air Black brings us aboard the ship Argo for its epic return journey across the Black Sea from Persia’s Colchis – where Medea flees her home and father with Jason, the Argonauts, and the Golden Fleece. Vann’s reimagining of this ancient tale offers a thrilling, realist alternative to the long held notions of Medea as monster or sorceress. We witness with dramatic urgency Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, and her tragic demise. Atmospheric and spellbinding, Bright Air Black is an indispensable, fresh and provocative take on one of our earliest texts and the most intimate and corporal version of Medea’s story ever told.

Additional information

Weight 0.191 kg
Dimensions 1.7 × 12.9 × 19.8 cm
by

Format

Paperback

Language

Pages

272

Publisher

Year Published

2017-10-19

Imprint

Publication City/Country

London, United Kingdom

ISBN 10

0099592266

About The Author

David Vann was born in the Aleutian Islands and spent his childhood in Ketchikan, Alaska. He is the author of the international bestseller Legend of a Suicide – which has been translated into eighteen languages and won several prizes including the Prix Medicis Etranger – Caribou Island, Dirt, Goat Mountain and Aquarium. He is also the author of two bestselling non-fiction books, and has written for Atlantic Monthly, Esquire, the Sunday Times, Guardian, Sunday Telegraph, Financial Times and other magazines and newspapers.

This Medea is intelligent and cynical, slighted by a husband and her gender. She is a woman who craves revenge for the fate of being born a woman and thus rendered powerless in a world ruled by men. Vann strips away the softer parts of Medea’s character as ruthlessly as Medea slits throats … The centrepiece of Bright Air Black is the butchering of Pelias, a long and magnificently gruesome scene, described in stomach-churning detail … Vann leaves us with the troubling paradox that murderous Medea is also a devoted mother … Vann evokes this visceral, sensual, brutal world of warring city states, capricious gods and fragile human agency in a fractured prose style, reminiscent of ancient Greek drama and poetry. Short poetic phrases pile up, fall away, stop short. Powerful internal rhythms build and subside, like the waves the Argonauts sail over … The time and the place may be very different from his previous novels, but Bright Air Black shares the same central structure of a searing family drama set against a backdrop of untamed nature … At the heart of this ambitious, dazzling, disturbing and memorable novel lies the uneasy juxtaposing of the wild and the civilised, and the complex, shifting relationship between the two.

Other text

[Vann’s] genius lies in his ability to blow away all the elegance and toga-clad politeness that have grown like a crust around our idea of ancient Greece and to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness.

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