Captivity: Poems
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14.00 JOD
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Description
The “exquisite and haunting” (Booklist) collection of poems built around the language and mystique of American captivity narratives in which Sheck enters the vivid life we live inside our own minds and selves, and takes us into the mysterious underside of consciousness and selfhood.
Additional information
Weight | 0.2 kg |
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Dimensions | 1 × 17.3 × 17.3 cm |
PubliCanadation City/Country | USA |
by | |
Format | Paperback |
Language | |
Pages | 96 |
Publisher | |
Year Published | 2009-6-2 |
Imprint | |
ISBN 10 | 0375711449 |
About The Author | Laurie Sheck is the author of five books of poetry, including Black Series and The Willow Grove, which was a finalist for the Pulitzer Prize. She lives in New York City |
“Sheck [is] one of the most accomplished lyric poets writing in America today.” —Boston Review“These lyrics bring fresh insight out of numbness and joy out of sorrow.” —The New Leader |
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Excerpt From Book | The First RemoveThe others hiding away when they took her. Eventually I learned other words. Assere for knives. Toras: North. Satewa: alone.Always a breakdown of systems that will not be restored. Something cuts itself in me. It’s not a question of refusal.Esteronde: to rain. Tesenochte: I do not know. The shattered of, and then the narrowness opening where the vanished touches it–Then how the mind recombines and overthrows–The Fourth RemoveThe way sunlight amends The eyes, too, grow practiced in unsteadiness and fracture.I write this to you on air as I walk, but I think now all summary is betrayal. I picture your hands lifting a fork or folding cloth, while at the same timeI’m thinking, it was believed if their cornfields were cut down they would starve and die with hunger, And was missing from and could learn no tidings . . . And they who have taken meWere driven from the little they had . . . he fetched me some water and told me I could wash. All these so braided, where hurt is building nimbly.I feel a pleasure of never contained sweep over me, now that I know place is never Clear or wholly settled, not even the veins on the underside of a leaf, its freedoms.Crossing is a hard simple. The feet register the merest intervals and shifts; All that is tracked is also otherwise and hidden.And water lies plainlyThen I came to an edge of very calm But couldn’t stay there. It was the washed greenblue mapmakers use to indicateInlets and coves, softbroken contours where the land leaves off And water lies plainly, as if lamped by its own justice. I hardly know how to say how it wasThough it spoke to me most kindly, Unlike a hard afterwards or the motions of forestalling.Now in evening light the far-off ridge carries marks of burning. The hills turn thundercolored, and my thoughts move toward them, rough skinsWithout their bodies. What is the part of us that feels it isn’t named, that doesn’t know How to respond to any name? That scarcely or not at all can lift its headInto the blue and so unfold there? |
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