Concrete Kids
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Description
A Goddard CBC’s Social Justice Prize Nominee • A YALSA Amazing Audiobook for Young Adults”I will close my eyes and disappear into the pages of this book for many years to come.”–Hanif Abdurraqib (New York Times bestselling author of Go Ahead in The Rain: Notes to A Tribe Called Quest)”Amyra’s wondrous awe for life in all its terror and splendor is inspiring to witness.”–Rosario Dawson (award-winning actor, singer, and activist)”A moving, inspiring love letter to and about ‘the concrete kids. The kids with a melanin kiss.'”– Kirkus Reviews “Leon’s powerful book will embolden readers find their own ways of speaking out against injustice.” — Booklist, Starred Review”A raw and complex free verse exploration of self-love, Blackness, womanhood, and healing. A timely, essential purchase for all young adult collections.” — School Library Journal, Starred ReviewIn Concrete Kids, playwright, musician, and educator Amyra León uses free verse to challenge us to dream beyond our circumstances — and sometimes even despite them.Pocket Change Collective is a series of small books with big ideas from today’s leading activists and artists. Concrete Kids is an exploration of love and loss, melody and bloodshed. Musician, playwright, and educator Amyra León takes us on a poetic journey through her childhood in Harlem, as she navigates the intricacies of foster care, mourning, self-love, and resilience. In her signature free-verse style, she invites us all to dream with abandon–and to recognize the privilege it is to dream at all.
Additional information
Weight | 0.14 kg |
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Dimensions | 0.87 × 11.43 × 16.03 cm |
PubliCanadanadation City/Country | USA |
by | |
Format | Paperback |
Language | |
Pages | 96 |
Publisher | |
Year Published | 2020-10-13 |
Imprint | |
For Ages | 7 |
ISBN 10 | 0593095197 |
About The Author | Amyra León is an author, musician, playwright, and activist. Her work transcends genre and medium, and focuses on Black liberation, politics, and communal healing. She believes that the art of listening and honest conversation are the primary tools for lasting change. Her aim is to empower communities to believe in the significance of their individual stories. The conversation has just begun.Ashley Lukashevsky is an illustrator and visual artist born and raised in Honolulu, Hawaii, currently based in Los Angeles. Ashley uses illustration and art as tools to strengthen social movements against systemic racism, sexism, and anti-immigrant policy. She aims to tear down these systems of oppression through first envisioning and drawing a world without them. Her clients include Refinery29, Broadly, The Washington Post, Planned Parenthood, Girls Who Code, GOOD magazine, Brooklyn magazine, ACLU, Red Bull, Snapchat, Air Jordan, and Logo TV. Ashley is also the illustrator of the best-selling Antiracist Baby, by Ibram X. Kendi. |
Excerpt From Book | concrete kidsFor Harlem & its angelsThis is for the concrete kids. The kids with a melanin kiss. The kids drenched in poverty. The kids who are told to cut their hair, to tame their tone. The kids who are told to shorten their names and disappear their tongues. The kids who are told they will amount to nothing. The smart kids who are told they are problematic. The problematic kids who are told they are stupid. The kids who are taking care of their families in between extracurriculars. The kids who cannot go to extracurriculars because they are taking care of their families. The stoop kids. The hungry kids. The thirsty kids. The foster kids. The kids who aged out of the system. The missing kids. The homeless kids. The kids in jail. The kids awaiting trial. The innocent kids. The kids who never got to be kids. The kids navigating the violence of hands. The kids who are being taught to fear themselves. The kids who refuse. The kids in gangs. The kids thinking about joining gangs. The kids who started them. The adults they became. The adults who wait for the blood to dry out in the sun with the laundry. The kids who bury the adults. The adults who bury the kids.The angels they became. The angels they will become.More specifically—this is for the boy in the white tee and the breath I saw escape him.gardeniasThe thing about things that drownIs that they never learn to breathe rightNo one ever told themOf a lifeWithout strainA constant chokingBegging for permissionTo remainLimbless in limboCalling on the Good LordFor some easeA terrifying permissionComes with youthThe way our bodiesSelflessly unfoldBefore the altarA sacred celebrationOf gardenias in bloomEden welcoming the ruinI was born somewhere in New York City on May 15, 1992. I do not know the time of day or recall the scent of birth, but I am sure I arrived screaming like everyone else.pigmentAll of me is brownMy eyes, my hairMy skinI do not know My fatherThe source is a figmentof melanin of imaginationI have never met himBarbie looks like my motherWho does not look like meBlond hair blue eyesAnd a White bodyMy reflectionBetrays easilyAs I yearnfor pieces of herTo stare back at methere is lovethere is lovethere is lovethere is questioningThere are no Black BarbiesMy mother hand paintsthem brownI do not knowIf this makes meFeel betterThere’s no way toFabricate realitySo we might as wellLet barbie beBarbiekelly be Kelly& ken be KenI do notNeed toBe WhiteLike her, like themTo love the skinThat I am in |
Series |
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