Killing Commendatore
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Description
The epic new novel from the internationally acclaimed and best-selling author of 1Q84.In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.A tour de force of love and loneliness, war and art – as well as a loving homage to The Great Gatsby – Killing Commendatore is a stunning work of imagination from one of our greatest writers.
Additional information
Weight | 0.572 kg |
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Dimensions | 5 × 13.9 × 14.2 cm |
by | |
Format | CD-Audio |
Language | |
Publisher | |
Year Published | 2019-8-1 |
Imprint | |
Publication City/Country | London, United Kingdom |
ISBN 10 | 1786142953 |
About The Author | In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, that turned Murakami from a writer into a phenomenon. In works such as The Wind-Up Bird Chronicle, 1Q84, What I Talk About When I Talk About Running and Men Without Women, Murakami's distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring his place as one of the world's most acclaimed and well-loved writers. |
Review Quote | It’s safe to say that there’s no one like Murakami |
Other text | Murakami’s reality has many sides; some plain, some fancy. Translators Philip Gabriel and Ted Goossen capture every colour on this mind-altering palette. No other author mixes domestic, fantastic and esoteric elements into such weirdly bewitching shades. Murakami’s “Land of Metaphor” remains a country where wonders never cease |