Like Me: A Novel

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Description

A propulsive psychological thriller that follows an aspiring model down a social media–fuelled rabbit hole of obsession, narcissism and self-destruction. For nineteen-year-old Mickey, Instagram offers a tantalizing portal into the world she wishes she inhabited. Though beautiful, cunning and privileged, Mickey finds herself with a stalled modelling career, an escalating drinking problem, few friends and next to nothing in the bank. To numb her growing despair, she spends her days frantically refreshing her Instagram feed, obsessively tracking the movements of Insta-famous model Gemma Anton. Gemma is a perfected version of Mickey, living a seemingly perfect life: a skyrocketing career, a famous photographer boyfriend and adoring followers—the life Mickey wants more than anything for herself. She studies every detail Gemma offers through the window of her phone, trying to absorb, learn, mimic, become the object of her growing fascination. Then, a chance encounter thrusts Mickey into a world of opportunity, and she is met with surprising, and immediate, success. But as her online persona begins to take over her life, Mickey finds it increasingly difficult to separate reality from the façade of Instagram. Engrossing, sharp and astute, Like Me is a shimmering portrait of infatuation, disconnection and identity in the digital age—and a dazzling introduction to a brilliant new voice in contemporary literature. 

Additional information

Weight 0.31 kg
Dimensions 2.09 × 14.03 × 20.93 cm
PubliCanadation City/Country

Canada

by

Format

Paperback

Language

Pages

304

Publisher

Year Published

2021-7-6

Imprint

ISBN 10

0385696736

About The Author

HAYLEY PHELAN is a writer and journalist whose work has appeared in Vanity Fair, Elle, Vogue and The Wall Street Journal. Her column in The New York Times, "Browsing," ran for two years in the paper's Style section, where she continues to contribute. She was born and raised in Toronto and currently resides in Los Angeles.

"Like Me by Hayley Phelan reads like both a harrowing portrayal of addiction and a smart, razor-sharp portrait of the Instagram age. Completely absorbing, deeply uncomfortable and impressively original, Phalen's poignant novel of obsession, desperation, sexuality and identity will change how you think of the time we're living in." —Ashley Audrain, New York Times bestselling author of The Push"Hayley Phelan's captivating debut Like Me, with its glittery influencers and Instagram stars, captures the way some now live their lives online. But her unforgettable heroine, Mickey Jones, suffers from the age-old abuses of women whose only weapons are youth and beauty—and a steadfast resolve not to die." —Helen Schulman, New York Times bestselling author of Come with Me"A dark and thrilling story of obsession, addiction and identity. In Hayley Phelan's sharp debut we see the New York fashion world through the eyes of Mickey Jones, an aspiring nineteen-year-old model, and her story is both totally contemporary and utterly timeless." —Harriet Alida Lye, author of The Honey Farm and Natural Killer"Hayley Phelan's Like Me is whip-smart and savage. Equal parts thriller and critique, this is an adrenaline shot of a novel." —Katie Kitamura, author of A Separation"Hayley Phelan's Like Me is a raw and electrifying study of the mind, the body and what can happen when one loses control over the other. It is a fever dream—a horror story—that sits far too comfortably in our reality." —An Yu, author of Braised Pork

Excerpt From Book

From the bathroom, where I was perched in front of the toilet, I could hear Gemma Anton laughing. Gemma was on her way to a party. Not now. Last night. I'd left her on my bed, imprisoned in the two-by-six-inch screen of my phone, as she was goofing around and singing to Bob Marley in the back of a taxi. Her giggle reverberated through my shitty studio's thin walls in a tinny, mechanical loop.I was kneeling in a pose of abject submission, my forehead pressed against the cool plastic seat of the toilet, hands clammy against its sculpted porcelain. This was how I spent most of my mornings that summer—the summer that concerns us, the summer that Gemma disappeared—hunched in my bathroom, waiting for the bile to climb. I had convinced myself that I'd developed insomnia and needed to drink at least two bottles of wine, or the equivalent, to fall asleep. Although what I called "falling asleep" was what medical professionals would probably term an alcoholic blackout. I often woke fully clothed, reeking of cigarette smoke, the chemical aftertaste of cocaine in the back of my throat, with only the dimmest idea of how I'd gotten there. Of course, I slept worse and worse, and drank more and more, and somehow failed to see the connection between the two.At nineteen, I was already well trained in the school of hangovers. They were worth it, too, I thought, for those few blissful hours asleep, swimming in the inky black void, falling through nothing. So, on this particular morning, I did not hesitate to act: I bravely lifted my head and, bracing myself with one hand, delicately probed the velvety flesh at the back of my throat. It was like fitting a key into a lock with the lights out. I closed my eyes, feeling for the give, and then—click—it came in a gush: relief awash in soured vodka soda.Satisfied with the purge, I leaned back and surveyed my reflection in the shallow oval of milky pale water below me. I tore off two squares of toilet paper and cleaned my fingers, tossed the refuse into the bowl, and flushed.Standing up, I stretched my arms towards the ceiling. Beautiful little fireflies, the kind that signal intense dehydration and hunger, danced in front of my eyes. Reaching past the shower curtain—depressingly mass-market white, mildewed on the bottom—I turned on the shower, pushing it as hot as it would go. The rushing sound drowned out Gemma's laugh and calmed me, making my scalp tingle. I stripped naked, leaving my clothes in a puddle on the floor, and examined my body in the full-length mirror, waiting for the steam to fill the room. I ran my hands along the length of my sides, pinched the skin on my stomach, tapped my hip bones, running my inventory. All the products were in place: flat stomach, skinny arms, ribs that protruded ever so slightly, white skin. I thought of my body as a tool, something I owned. I could rent it out if I wanted to—which is more or less what I did. For all that talk about selling one's soul, no one seems to be in the market. It's the body that everybody wants. The body is a currency everyone can understand.The steam clouded over the mirror and swallowed me. I stepped into the shower, closed my eyes, and finally lost sight of myself. I felt empty and pure.

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