Lookout
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13.00 JOD
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Description
The first collection of new poems in more than a decade from one of Canada’s most respected poets The poems in John Steffler’s new collection are enlivened by the same muscular acts of attention that characterize his earlier books. As always, his poems inhabit experience fully, senses on high alert, transmitting the abundance and turbulence of physical existence; they are charged with the raw Eros of being. Nowhere is there a more complete nature poet: attuned, robust, honest, fully informal, and emotionally candid, brimming with energy and animal spirits. Many of the poems in Lookout explore and evoke specific landscapes: the limestone barrens of Newfoundland; the Blomidon and Lewis Hills; the Greek Islands. Others dwell on personal relationships: lover, pregnant daughter, and a touching, finely tuned sequence on a family coping with a mother’s Alzheimer’s. There is also a wonderful set of meditations on photographs from the archives in Newfoundland. Canadian literature is blessed – and animated – by John Steffler’s contributions to it.
Additional information
Weight | 0.15 kg |
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Dimensions | 0.89 × 14 × 20.93 cm |
PubliCanadation City/Country | Canada |
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Format | Paperback |
Language | |
Pages | 120 |
Publisher | |
Year Published | 2010-3-16 |
Imprint | |
ISBN 10 | 0771082673 |
About The Author | John Steffler was the Parliamentary Poet Laureate of Canada from 2006 to 2008. His previous books of poetry include The Grey Islands, That Night We Were Ravenous, winner of the Atlantic Poetry Prize, and Helix: New and Selected Poems, winner of the Newfoundland and Labrador Poetry Prize. Steffler is also the author of the award-winning novel The Afterlife of George Cartwright. |
Praise for John Steffler:"In a profound way, John Steffler's poetry is concerned with cultural identity and memory, and provides a touchstone for Canadians seeking a way to move forward as a nation…. What makes John Steffler's poetry so valuable is that his consideration of the philosophical problems of memory, history and identity speaks directly to key preoccupations in Canadian culture today."— from Letter of Nomination for the Parliamentary Poet Laureate"John Steffler is Canada's most sensuously passionate writer. Reading him, we are put in touch with the pure erotic draw which the world exercises upon him. The acuity of his perception, and the size of his heart, make his poems an essential part of our literature."— Don McKay, Griffin Poetry Prize winner for Strike/Slip"Steffler paints the wilderness in a language that often 'knocks and hisses and crackles,' but nothing of the poetry here sounds contrived or artificial. [Steffler's work] subtly nudges the reader along, never falling prey to the usual grab-bag of bells and whistles. It is a work that teems with images that are celebratory of life, ones that quietly ring with the music of the land."— Montreal Gazette"John Steffler is one of our finest lyric poets in mid-career."— Ken Babstock, Globe and Mail"[John Steffler's poems] reveal an unexpected side to the exotic and hidden dimensions of the familiar…. Part keen-eyed naturalist, part exuberant philosopher, Steffler memorializes the terrain of his beloved Newfoundland, in particular, with disarming whimsy and grace. His descriptions are vivid and metaphysically resonant, too."— Barbara Carey, Toronto Star |
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Table Of Content | LIMESTONE BARRENSThe Role of Calcium in EvolutionBook Rock Cape Norman Park Office Barrens Willow Wind Shadow, L’Anse aux Meadows Revelations Notes on Burnt Cape Location Warm Shallow Sea OUTSIDEDividing Island Marine Drive Body and Soul Under Blomidon Face Tree near York Harbour Swoop Inside the Boiler of the ss Ethie Beyond Names and Laws Wissembourg, Alsace Amorgos Sunburnt on Naxos There Is No One to Blame Bloodroot Mail from My Pregnant Daughter ONCE OUTSIDERemovals It Is a Blue Dome Collecting, Bay of IslandsUplands Skink’s Tail Lean-to Beating the Bounds Under Mad Dog Lake Battle at Halfway Point Melancholy Facts Bear Brains Smudging the Map Blomidon Head In the Winter After Ten Days Together Without Maps Kiparissia Tomb of Clytemnestra Mystra Mycenae COLONIAL BUILDING ARCHIVESVA13 Humber Mouth A10-142 Settlement at Mount Moriah A10-150 Holloway: John’s Beach A20-86 Postcard: Cement Plant, 1955A30-160 Building the Paper Mill VA28 Postcard: Paper Machine A30-158 Wood Supply A30-161 Mill Manager’s House, Corner Brook B10-38 Lee Wulff Fishing the Upper Humber B10-39 Lee Wulff Fishing the Upper Humber B10-40 Exploits River B10-43 Self-portrait, Serpentine Valley Acknowledgements |
Excerpt From Book | The Role of Calcium in Evolution Sweet calcium we found we could live with,stir into our cells’ hubbub, tinker intoa trellis to carry our fi erce red vine – itseyeball blossoms, cunt orchids, cock orchids –we could whittle it into bone stilts and paddles,hooks, tongs, helmets, mallets, cleavers, awls,fl utes, rasps, rattles, corsets, folding spokes,but then, oh god the weight of all thesecontraptions! Just throw them out and belight! While the old hardware clattersdown like Victorian claw-foot setteessettling in scrap heaps – the ear trumpets,the spurs compressed in archaeologicalfi les – we fl oat careless as fruit fl iesin an armoury, all the weight lifted,tra-la! But the dark rock candy of historydissolves in the rain, leaking the diatom’s binarycode, the lobster’s molecular gospel intothe water we drink. Sleepless we pore overThings You Can Make with Calcium in cellularBraille. As soon as you throw something awayyou need the damn thing! Hinged pincersdown here somewhere under the catapults andgreaves. Tell me how else to deal with the world! |
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