Orphic Politics
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14.95 JOD
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Description
A new collection by the winner of the Governor General’s Award for Poetry. Tim Lilburn’s award-winning work has observed the natural world with an intensity of seeing and a reverence that shifts the way we understand our lives. Now, in his brilliant new collection of poems, Lilburn has turned his meticulous, unerring eye to an intimate, utterly compelling exploration of the body’s fall into illness. These haunting poems take the reader below the surface of things into a peculiar world of personal and social alteration. Its incantatory insistence and its shocking imagistic leaps make the poetry a sustained act of therapy, a ritual instrument for change.
Additional information
Weight | 0.1362 kg |
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Dimensions | 0.635 × 14.605 × 23.114 cm |
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Format | Paperback |
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Publisher | |
Year Published | 2008-3-18 |
Imprint | |
Publication City/Country | Canada |
ISBN 10 | 0771046367 |
About The Author | Tim Lilburn’s six previous poetry collections include Kill-site, winner of the Governor General’s Award, and To the River, winner of the Saskatchewan Book Award for Book of the Year. His poems have been widely anthologized. He lives in Victoria, where he teaches at the University of Victoria. |
“Striking and original. . . . [Lilburn captures] the mystical and ecstatic moments when self and world are united.” — Booklist“At its best, this is avant-garde lyricism the haunting utterances of which would make Rilke shiver, and so should be welcomed.”- Globe and Mail |
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Excerpt From Book | THIS, THENSomeone wearing a vest of radon implantscoaxed my tongue to be sweetly laid out in a kurgan of rain.This is the rain’s nest, he said, where you will be joinedby the skin of a galloping horse held up by sticks.Just then God’s mouth filled with lead.People at that time started, it seemed, to bleedin the streets from their ears.This wasn’t force of listening, theyjust were scraped by some large thing moving past,sleet of arrows, yielding shelf of stones.I stared at them, peak, peak, peak. The quills in their handsand feet slicked into me, overthe border into me like I was being shot up, quietly and in secretby drum solos.Let us dip the tip of horror in horror.Randy went down, Albert rappelled under the waves.Something, all we’d never said, was eatingup from below.St. Teresa of Avila was sitting in a gold chairin a breathing-through-a-straw house in a suburbquite far out, where what she’s saying — it eggs slowly fromher mouth — is taken up in spikes along the back legs of the humfrom swelling, overhead wires. |
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