Palestine +100: Stories from a century after the Nakba: 2 (Futures Past)
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Description
THE FIRST ANTHOLOGY OF CONTEMPORARY SCIENCE FICTION FROM PALESTINE.
As featured in The Guardian.
One of NPR’s Favourite Books of 2019.
‘It’s necessary, of course. But above all it’s bold, brilliant and inspiring: a sign of boundless imagination and fierce creation even in circumstances of oppression, denial, silencing and constriction. The voices of these writers demand to be heard – and their stories are defiantly entertaining.’ – Bidisha
Palestine + 100 poses a question to twelve Palestinian writers: what might your country look like in the year 2048 a century after the tragedies and trauma of what has come to be called the Nakba? How might this event which, in 1948, saw the expulsion of over 700,000 Palestinian Arabs from their homes reach across a century of occupation, oppression, and political isolation, to shape the country and its people? Will a lasting peace finally have been reached, or will future technology only amplify the suffering and mistreatment of Palestinians? Covering a range of approaches from SF noir, to nightmarish dystopia, to high-tech farce these stories use the blank canvas of the future to reimagine the Palestinian experience today. Along the way, we encounter drone swarms, digital uprisings, time-bending VR, peace treaties that span parallel universes, and even a Palestinian superhero, in probably the first anthology of science fiction from Palestine ever.
Translated from the Arabic by Raph Cormack, Mohamed Ghalaieny, Andrew Leber, Thoraya El-Rayyes, Yasmine Seale and Jonathan Wright. WINNER of a PEN Translates Award.
Additional information
Weight | 0.4 kg |
---|---|
Dimensions | 2.01 × 13 × 19.81 cm |
by | Abdalmuti Maqboul, Ahmed Masoud, Anwar Hamed, Basma Ghalayini, Eman El-Din Aysha, Majd Kayyal, Mazen Maarouf, Rawan Yaghi, Saleem Haddad, Samir El-Youssef, Selma Dabbagh, Talal Abu Shawish, Tasnim Abutabikh |
Format | Paperback |
Language | |
Pages | 240 |
Publisher | |
Year Published | 2019-7-25 |
Publication City/Country | London, United Kingdom |
ISBN 10 | 1910974447 |
About The Author | Tasnim Abutabikh (born 1996) grew up in Gaza and graduated from Al-Azhar University, before moving to the United States in 2018. In 2015, she was a winner in the Novell Gaza Short Story Award, and was published in Novell Gaza 2. Emad El-Din Aysha (born 1974) is an academic, journalist, and translator and an author, currently stationed in Cairo. He currently teaches across a range of subjects, from international politics to Arab society, at various universities in Egypt. He s a regular commentator on Middle Eastern politics, an avid fan of history and science fiction, and a film reviewer and columnist for various publications. Selma Dabbagh (born 1970) is a British Palestinian writer of fiction living in London. She grew up between the UK, Saudi Arabia and Kuwait. Her first novel, Out of It (Bloomsbury, 2012) was a Guardian Book of the Year. Her writing has been published by Granta, The Guardian, International PEN, the London Review of Books, the British Council and Saqi Books. Her radio plays have been produced by the BBC and WDR. Saleem Haddad (born 1983) is a writer and aid worker, who has worked with Médecins Sans Frontières and other organisations in Yemen, Syria, Iraq, Libya, Lebanon and Turkey. His debut novel, Guapa was published in 2016, won the 2017 Polari Prize and was awarded a Stonewall Honour. His essays have appeared in Slate, The Daily Beast, LitHub, and the LARB, among others. Anwar Hamed (born 1957) is a Palestinian novelist, poet, and literary critic born. With a master s degree in literature theory, he lives in London and works for the BBC World Service. He speaks Arabic, English and Hungarian, in addition to French, Turkish, Persian and Hebrew. He has published eight novels in Arabic, and a number of other works in Hungarian, and has contributed to a number of non-fiction titles, most recently: Being Palestinian: Personal Reflections on Palestinian Identity in the Diaspora. His novel Jaffa Makes the Morning Coffee was longlisted for the International Prize for Arabic Fiction (IPAF). Majd Kayal (born 1990) is currently an editor at Metras and a writer at the Arab Ambassador. His first novel, The Tragedy of Mr. Matar (El Ahlia, 2016) won the Qattan Young Writer Prize, and his first collection of short stories Death in Haifa came out this year. Mazen Maarouf (born 1978) is a writer, poet, translator and journalist. Maarouf holds a bachelor degree in General Chemistry from the Lebanese University (Faculty of Sciences). He has published two collections of short stories Jokes for the Gunmen (translated into English by Jonathan Wright, and winner of the inaugural Al-Multaqa Prize for the Arabic Short Story), and Rats that Licked the Karate Champion s Ear. He has also published three collections of poetry and works as a translator into Arabic. Abdalmuti Maqboul (born 1987) studied graphic design at Al-Najah National University in Nablus and has a master s degree in management and international relations from the University of Ankara, in Turkey. He is a lecturer at the Ummah College in Jerusalem. Ahmed Masoud (born 1981) is a writer and director who grew up in Palestine and moved to the UK in 2002. His debut novel Vanished: The Mysterious Disappearance of Mustafa Ouda won the Muslim Writers Awards. His theatre credits include The Shroud Maker, Camouflage, Walaa, Loyalty, Go to Gaza, Drink the Sea and Escape from Gaza. He is the founder of Al Zaytouna Dance Theatre, for whom he has written wrote and directed several productions for the London stage, and subsequent European tours. Following his PhD research, he has published numerous academic articles, including a chapter in Britain and the Muslim World: A Historical Perspective (Cambridge Scholars Publishing, 2011). |
This book is not a happy read, but it's one that complicates our worldview, undermines our certainty and unravels our righteousness. We need more literature like this.' –Tor.com 'Themes of nostalgia, memory and longing weave through this fascinating and unusual collection.' –Financial Times 'Just as we do when Handmaids Tale or Black Mirror plots unfold on the screen, you are most likely to read Palestine +100 and say, this is now.' –LitHub |
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