Small Mechanics: Poems

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Description

A radiant collection of new poems from one of Canada’s most renowned and well-read poets.The poems in Lorna Crozier’s rich and wide-ranging new collection, a modern bestiary and a book of mourning, are both shadowed and illuminated by the passing of time, the small mechanics of the body as it ages, the fine-tuning of what a life becomes when parents and old friends are gone. Brilliantly poised between the mythic and the everyday, the anecdotal and the delicately lyrical, these poems contain the wit, irreverence, and startling imagery for which Crozier is justly celebrated. You’ll find Bach and Dostoevsky, a poem that turns into a dog, a religion founded by cats, and wood rats that dance on shingles. These poems turn over the stones of words and find what lies beneath, reminding us why Lorna Crozier is one of Canada’s most well-read and commanding voices.

Additional information

Weight 0.77 kg
Dimensions 0.79 × 13.92 × 2.88 cm
PubliCanadation City/Country

Canada

by

Format

Paperback

Language

Pages

112

Publisher

Year Published

2011-3-29

Imprint

ISBN 10

0771023294

About The Author

LORNA CROZIER is the author of the memoir Through the Garden, a finalist for the Hilary Weston Writers' Trust Prize for Nonfiction and a Globe and Mail 100 Best Book. She has published eighteen books of poetry, including God of Shadows, What the Soul Doesn't Want, The Wrong Cat, Small Mechanics, The Blue Hour of the Day: Selected Poems, and Whetstone. She is also the author of The Book of Marvels: A Compendium of Everyday Things and the memoir Small Beneath the Sky, which won the Hubert Evans Award for Creative Nonfiction. She won the Governor General's Literary Award for Poetry for Inventing the Hawk and three additional collections were finalists for the Governor General's Literary Award for Poetry. She has received many awards and honours including the Canadian Authors Association Award, three Pat Lowther Memorial Awards, and the BC Lieutenant Governor's Award for Literary Excellence. She is a Professor Emerita at the University of Victoria and an Officer of the Order of Canada, and she has received five honorary doctorates for her contributions to Canadian literature. Born in Swift Current, Saskatchewan, she now lives in British Columbia.

Praise for The Blue Hour of the Day: Selected Poems:“[A] marvelous Canadian poet, storyteller, truth-teller, visionary.”—Ursula K Le Guin, New York Times Book Review"Lorna Crozier's The Blue Hour of the Day reads like one long autobiographical poem of astonishing coherence and beauty, and so powerful that, after I'd closed the book, I found that I'd unwittingly learnt several of the lines by heart." —Alberto Manguel, Times Literary Supplement Books of the Yea“Crozier writes of a world of imperfection, clumsiness, violence, betrayal, pain, and in spite of everything, delight and love. . . . Always accessible, Crozier speaks a language we understand, but she uses it to tell us of things we don’t.”—Canadian Literature

Excerpt From Book

LAST BREATHNot a living soul about,except for me and the magpie. I knowif I don’t keep moving, he’ll pluckthe breath from my body, taste iton his tongue before it slidesdown his throat, giving him new propheciesto speak. He’s the bird Noah didn’t send out,afraid he’d carry the ark’s complaints to heaven.Tonight he scallops from the copse of willowsto the power pole, stares down at me. I match himcry for cry, not knowing what I mean but feelinggood about it, the bird part of my brain lit up.Coyotes, too, start their music as if the magpie’sflown in to be the guest conductorfor the length of time it takes the sun to sink.He flips his tail, bringing up the oboesthen the high notes of the flutes. Other souls,those I sense but cannot see,wait among the stones along the riverbankuntil they’re sure the magpie is distracted,then scentless and inedible to anyone but him,they make their wingless forayacross the ice and running water,mouthfuls of silence that, if not for coyotes,the magpie would hear. DON’T SAY ITYou admire the wild grassesfor their reticence.When you cut across the dusk for home,the meadow is more beautifulfor all it keeps inside.Syllables of seeds catch in your socksbut they don’t need to say,Thank you, friend,even if you’ve carried themfor miles. THE FIRST DAY OF THE YEARThe new writer sucks her fingersin her crib. There is nothingto distinguish her – like the extra toeon Hemingway’sliterary cats – from all the otherbabies down the block.She is dreaming inkthough she hasn’t seen itin this world yetand no one knows,least of all her parents,she loves nothingbetter than the blankflat whitenessof the bottom sheetwhen she’s laid dampfrom her morning bathupon it.

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