Tales from a Master’s Notebook: Stories Henry James Never Wrote
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14.99 JOD
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Description
A collection of stories from some of our best-loved writers, inspired by ideas found in Henry James’s notebooks.When Henry James died he left behind a series of notebooks filled with ideas for novels and stories that he never wrote. Now ten of our best contemporary authors and James enthusiasts have written new short stories based on these ‘germs’ of ideas. Differing dramatically in setting and style, these stories are modern interpretations of the richly suggestive and enticing notes that Henry James left behind, offering a fresh and original approach to a canonical literary author. Professor Philip Horne, a renowned authority on Henry James, has edited and introduced this collection, which also includes transcripts of James’s original jottings allowing readers to trace the raw ideas through to their modern-day interpretations.Contains stories by Colm Toibin, Rose Tremain, Jonathan Coe, Paul Theroux, Amit Chaudhuri, Giles Foden, Joseph O’Neill, Lynne Truss, Susie Boyt and Tessa Hadley.WITH A FOREWORD BY MICHAEL WOOD
Additional information
Weight | 0.412 kg |
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Dimensions | 2.7 × 14.4 × 22.2 cm |
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Format | Hardback |
Language | |
Pages | 272 |
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Year Published | 2018-4-5 |
Imprint | |
Publication City/Country | London, United Kingdom |
ISBN 10 | 1784871478 |
Review Quote | [An] ingenious and entertaining collection… the stories could not be more varied in tone and approach, from Colm Tóibín’s beautifully measured “Silence”…to Amit Chaudhuri’s bouncily rhythmical “Wensleydale”…the individuality of the entries does not preclude entertainment – there is much playfulness and not a little comedy here |
Other text | Wonderful short stories…It is fascinating to see how familiar writers such as Colm Tóibín, Rose Tremain, Tessa Hadley and Lynn Truss match their own style to quintessentially Jamesian themes: a father who isn’t who he appeared to be; a ghostly reminder of past loss; an affair that never quite caught fire. Each story is different, but the hand of the master is clearly detectable throughout, a gentle guide that shapes the telling. |
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