The Confusion

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Description

Neal Stephenson continues his extraordinary Baroque Cycle in this sequel to his bestselling Quicksilver, bringing to life a cast of unforgettable characters in a time of breathtaking genius and discovery. It is the late 1600s, on the high seas. A group of Barbary galley slaves plot as they ply the oars of a pirate ship, hatching a daring scheme to find an enormous cache of Spanish gold. Amazingly, they succeed – leaving some very unhappy men behind who vow to hunt down the vagabonds and bring them to justice, no matter the cost.Meanwhile, back in France, the beautiful Eliza – toast of Versailles and spy extraordinaire – attempts to return to London with her baby, a child whose paternity is shrouded in mystery. Making her way home, her ship is stopped by a French privateer and she is returned to the Sun King’s court. Thrown back into a web of international intrigue, Eliza must contend with all manner of characters, including buccaneers, poisoners, Jesuits, financial manipulators, and even a stray cryptographer or two…

Additional information

Weight 0.564 kg
Dimensions 3.5 × 13 × 19.8 cm
by

Format

Paperback

Language

Pages

832

Publisher

Year Published

2005-4-7

Imprint

Publication City/Country

London, United Kingdom

ISBN 10

0099410699

About The Author

Neal Stephenson is the bestselling author of Reamde, Anathem; the three-volume historical epic the Baroque Cycle (Quicksilver, The Confusion, and The System of the World); Cryptonomicon; The Diamond Age; Snow Crash, which was named one of Time magazine's top one hundred all-time best English-language novels; and Zodiac. He lives in Seattle, Washington.

Ideas about currency and calculus become thrilling because of the way Stephenson incorporates them into his story… Huge in scope – rich in detail… This weird, wonderful collision of scholarship and storytelling has no peer

Other text

A rip-roaring, swashbuckling Romance with a capital R … A blood-soaked, silver-plated depiction of 17th-century life from both ends of the economic scale, and with enough headlong, balls-to-the-wall buccaneering and Machiavellian plotting to satiate the most jaded of palates

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