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The Hurley Maker’s Son
8.99 JOD
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Description
Patrick Deeley’s train journey home to rural East Galway in autumn 1978 was a pilgrimage of grief: his giant of a father had been felled, the hurley-making workshop silenced. From this moment, Patrick unfolds his childhood as a series of evocative moments, from the intricate workings of the timber workshop run by his father to the slow taking apart of an old tractor and the physical burial of a steam engine; from his mother’s steady work on an old Singer sewing machine to his father’s vertiginous quickstep on the roof of their house. There are many wonderful descriptions of the natural world and delightful cameos of characters and incidents from a not-so-long-ago country childhood. In a style reminiscent of John McGahern’s Memoir, Deeley’s beautifully paced prose captures the rhythms, struggles and rough edges of a rural life that was already dying even as he grew. This is an enchanting, beautifully written account of family, love, loss, and the unstoppable march of time.
Additional information
| Weight | 0.178 kg |
|---|---|
| Dimensions | 1.6 × 12.7 × 19.8 cm |
| by | |
| Format | Paperback |
| Language | |
| Pages | 256 |
| Publisher | |
| Year Published | 2017-3-9 |
| Imprint | |
| Publication City/Country | London, United Kingdom |
| ISBN 10 | 1784161454 |
| About The Author | Patrick Deeley was born in the townland of Foxhall, outside Loughrea, Co. Galway, in 1953. He has published six highly acclaimed collections of poems with Dedalus Press including Decoding Samara, The Bones of Creation, and Groundswell: New and Selected Poems. In addition his poems have appeared in many leading literary outlets in Ireland, UK, USA, Canada and Australia, been widely translated and won a number of awards. Patrick is married to the artist Judy Carroll Deeley and they have two children. |
| Review Quote | A glorious book, a perfect elegy, a gorgeous tumble of memories of life, death, love and, above all, family.The Hurley Maker's Son is suffused with warmth and joy and an ineffable sadness. The closing passages, like many in this book, are exquisite and almost unbearable. |
| Other text | There is something both eerie and deeply convincing about Deeley's re-inhabiting of the landscape that formed him, the family that shaped and nourished him. Every sentence rings true, like an axe biting into seasoned wood, a hurley striking the ball cleanly. |
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