The Knockout Artist
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Description
A favourite of long-time Harry Crews fans, The Knockout Artist (1988) portrays Eugene Talmadge Biggs, a young boxer from rural Georgia whose champion rise is diverted by a vulnerability, or gift, for knocking himself unconscious.As he begins to exploit his talents, the notorious Knockout Artist journeys into the New Orleans underworld and meets characters who have long since checked their morals at the door. The unforgettable climax shows Crews at his virtuoso best, when Eugene confronts his truth, and sets out to claim his freedom and win his own self-respect.
Additional information
Weight | 0.189 kg |
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Dimensions | 1.2 × 13 × 19.8 cm |
by | |
Format | Paperback |
Language | |
Pages | 272 |
Publisher | |
Year Published | 2024-10-31 |
Imprint | |
Publication City/Country | London, United Kingdom |
ISBN 10 | 014313793X |
About The Author | Harry Crews (Author) Harry Crews (1935-2012) was born during the Great Depression in rural Georgia, USA. He is the author of seventeen novels and a memoir, often revolving around poor and disenfranchised characters from the Deep South. Crews taught creative writing at the University of Florida for nearly thirty years, mentoring and inspiring a generation of writers and gaining the reputation of a literary outsider and outlaw with a singular voice in American fiction. He is today considered a pillar of the Southern Gothic tradition.S. A. Cosby (Foreword By) S.A. Cosby is the author of the New York Times bestseller Razorblade Tears and Blacktop Wasteland, which which won the Los Angeles Times Book Prize, was a New York Times Notable Book and was named a best book of the year by NPR, The Guardian and Library Journal, among others. His latest novel is All The Sinners Bleed. |
A good old-fashioned morality play with drama and style to spare… |
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Other text | Crews, one of the most inventive practitioners in modern American letters, returns to a milieu that has long fascinated him: the seedy world of fighters and musclemen … A brilliant specialist in black humour, Crews delivers the goods once again. His deadpan prose style is uncannily effective in meshing the surreal and everyday life. While the characters are mainly freaks, they come across so directly, often with an affecting sweetness, that they acquire extraordinary vibrancy. Crews is a modernist all right, but he isn't a facile one. The moral here and elsewhere in his work is old-fashioned: to thine own self be true. |
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