The Weight of Oranges/Miner’s Pond: Poems
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Description
Prior to her stunning début novel, Fugitive Pieces, Anne Michaels had already won prizes and acclaim for her two poetry collections. The Weight of Oranges and Miner’s Pond are now brought back into print in this one-volume collector’s edition.Published in 1986, The Weight of Oranges created a sensation, garnering the kind of praise rarely accorded a first book of poems. It went on to win the Commonwealth Prize for the Americas. Miner’s Pond appeared in 1991 and received the Canadian Authors Association Award, and was shortlisted for the Governor General’s Award and the Trillium Award.
Additional information
Weight | 0.15 kg |
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Dimensions | 0.92 × 13.57 × 21.57 cm |
PubliCanadation City/Country | Canada |
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Language | |
Pages | 132 |
publisher | |
Year Published | 1997-4-5 |
Imprint | |
ISBN 10 | 0771058780 |
About The Author | ANNE MICHAELS’ books have been translated into more than forty-five languages and have won dozens of international awards, including the Orange Prize, the Guardian Fiction Prize, the Lannan Award for Fiction and the Commonwealth Poetry Prize for the Americas. She is the recipient of a Guggenheim Fellowship and many other honours. She has been shortlisted for the Governor-General's Award, the Griffin Poetry Prize, twice shortlisted for the Giller Prize and twice longlisted for the IMPAC Award. Her novel, Fugitive Pieces, was adapted as a feature film. From 2015 to 2019, she was Toronto’s Poet Laureate. She lives in Canada.annemichaels.ca |
Excerpt From Book | PHANTOM LIMBS “The face of the city changes more quickly, alas! than the mortal heart.”- Charles Baudelaire So much of the cityis our bodies. Places in us old light still slants through to. Places that no longer exist but are full of feeling,like phantom limbs. Even the city carries ruins in its heart.Longs to be touched in placesonly it remembers. Through the yellow hoovesof the ginkgo, parchment light;in that apartment where I firsttouched your shoulders under your sweater,that October afternoon you left keysin the fridge, milk on the table.The yard — our moonlight motel —where we slept summer’s hottest nights,on grass so cold it felt wet.Behind us, freight trains crossed the city,a steel banner, a noisy wall.Now the hollow diadfloats behind glassin office towers also hauntedby our voices. Few buildings, few livesare built so welleven their ruins are beautiful.But we loved the abandoned distillery:stone floors cracking under empty vats,wooden floors half rotted into dirt,stairs leading nowhere, high roomsrun through with swords of dusty light.A place the rain still loved, its silver painton rusted things that had stopped moving it seemed, for us.Closed rooms open only to weather,pungent with soot and molasses,scent-stung. A placewhere everything too big to take aparthad been left behind. |
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