Tombland: A Shardlake Novel
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Description
The seventh novel in the Matthew Shardlake Tudor Mystery series—the inspiration for the Disney+ original series Shardlake!Spring, 1549. Two years after the death of Henry VIII, England is sliding into chaos… The king, Edward VI, is eleven years old. His uncle Edward Seymour, Duke of Somerset, rules as Protector. Radical Protestants are conducting all out war on the old religion, stirring discontent among the people. The Protector’s prolonged war with Scotland is proving a disastrous failure. Worst of all, the economy is in collapse, inflation rages and rebellion is stirring among the peasantry. Since the old King’s death, Matthew Shardlake has been working as a lawyer in the service of Henry’s younger daughter, the Lady Elizabeth. The gruesome murder of the wife of John Boleyn, a distant Norfolk relation of Elizabeth’s mother–which could have political implications for Elizabeth–brings Shardlake and his young assistant Nicholas Overton to the summer assizes at Norwich. There they are reunited with Shardlake’s former assistant Jack Barak. The three find layers of mystery and danger surrounding the death of Edith Boleyn, as more murders are committed. During their investigation, a peasant rebellion breaks out across the country. Yeoman Robert Kett establishes a vast camp outside Norwich and leads a force of thousands to overthow the landlords. Soon the rebels have taken over the city, England’s second largest. Barak throws in his lot with the rebels; Nicholas, opposed to them, becomes a prisoner in Norwich Castle; while Shardlake has to decide where his ultimate loyalties lie. As government forces in London prepare to march north and destroy the rebels, he discovers that the murder of Edith Boleyn may have connections reaching into both the heart of the rebel camp and of the Norfolk gentry… Tombland is both a thrilling murder mystery and a vivid andengaging portrait of a divided nation.Awarded the CWA Diamond Dagger – the highest honour in British crime writing.
Additional information
Weight | 0.8 kg |
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Dimensions | 5.59 × 14 × 20.99 cm |
PubliCanadation City/Country | Canada |
by | |
Format | Paperback |
Language | |
Pages | 880 |
Publisher | |
Year Published | 2019-5-28 |
Imprint | |
ISBN 10 | 0735277109 |
About The Author | C. J. SANSOM, the internationally bestselling author of the novels Winter in Madrid and Dominion and the Matthew Shardlake Tudor Mystery series, earned a Ph.D. in history and was a lawyer before becoming a full-time writer. |
#1 INTERNATIONAL BESTSELLERLONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTIONSHORTLISTED FOR THE BRITISH BOOK AWARDS' FICTION BOOK OF THE YEAR“The latest in the wonderful Shardlake series by C. J. Sansom is a wristbreaker of a book, steeped in detail and Tudor history, but, believe it or not, I hardly skimmed a page. . . . [Tombland is] a completely readable novel . . . [and] an adventure in law and revolution which turns into one of Sansom’s best books. It’s slow but it’s worth it.” — Margaret Cannon, The Globe and Mail“Enthralling. . . . Sansom describes sixteenth-century events in the crisply realistic style of someone watching them transpire right outside his window.” —Marilyn Stasio, The New York Times Book Review "A beauty of this book is the intricate yet coherent way in which Sansom weaves together the story of Kett’s Rebellion with the murder-intrigue plot around the death of Edith Boleyn. . . . Sansom is a remarkable storyteller." —Steven Downes, Eastern Daily Press“[A] novel/history book that should fascinate hundreds of thousands of readers. . . . Sansom is a remarkable storyteller, but his greatest gift is that he links all of his plots with real history—social, political, religious and agricultural. . . . It’s intoxicating to be so transported to another era.” —Eastern Daily Press“Tudor England of 1549 is effortlessly evoked. The murder mystery absorbs, the characters are vivid and the history is seductive, but it’s the author’s inclusive humanity that lingers.” —Daily Mail “Shardlake returns in an enthralling read.” —The Times“A thumping 847 pages of glorious pageantry. . . . This is a totally immersive and vividly written tale: compelling reading for history lovers and crime aficionados alike.” —The Guardian“A gripping tale of terror, murder and revolt.” —The Sunday Times“Tudor England has never seemed so vibrantly alive and viscerally authentic than in the pages of the extraordinary Matthew Shardlake novels. . . . Tombland is a big, beautiful blockbuster of a novel . . . eight hundred pages of the nearest thing to living real historical events as we are plunged into the sights, smells, sounds of Tudor England. . . . [T]here can be no more pleasurable read than a date with the inimitable Matthew Shardlake . . . and his talented creator.” —Lancashire Evening PostPraise for C. J. Sansom and the Shardlake series:“Historical fiction—especially historical crime fiction—has often been regarded as a literary branchline, interesting and picturesque but not quite the real thing. This now is changing, and rightly, since the qualities required to evoke imagined historical worlds are precisely those involved in rendering the present. With the Shardlake series, Sansom has surely established himself as one of the best novelists around.” —The Spectator (UK) “Splendid series, which combines the imaginative insights of fiction with scholarly research.” —The Independent “I read Lamentation in one weekend, stopping only to sleep. Not to be missed.” —Margaret Cannon, The Globe and Mail“Brilliantly sketched sixteenth-century London. . . . Amid all the stink and muck of Tudor London, Sansom offers a master class in royal intrigue.” —Kirkus Reviews“Mr. Sansom is, I should say, a late disciple of Walter Scott, who asked what the plot was for ‘but to bring in fine things.’ Fine things are here abundantly, and the evocation of Tudor London is utterly convincing. . . . This sequence of novels is a fine example of the intelligent imagination playing on history.” —The Wall Street Journal |
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Excerpt From Book | The Lady Elizabeth sat behind a wide desk covered with books and papers. Unlike her brother the King or her elder sister Mary, as his heir, Elizabeth had no canopy of state to sit under. She was dressed in black, a French hood on her head from which her long, auburn hair fell to her shoulders, a token of virginity. I wondered if she wore black still for Catherine Parr, or whether, like the relative austerity of the Hatfield furnishings, it was more a sign of her loyalty to Protestant sobriety. Her face, a long oval like her mother’s but with the igh- bridged nose and small mouth of her father, made her remarkable, if not beautiful. The square front of her dress showed the full breasts of a girl almost grown, but otherwise she was thin and pale, with dark rings under her brown eyes. She was studying a document as I entered, her long fingers playing nervously with a quill. Blanche announced, ‘Serjeant Shardlake, my Lady,’ and I bowed deeply as she moved to take a position beside Elizabeth. Blanche kept her eyes on me; I had no doubt everything we said would be reported back to Parry. Lady Elizabeth studied me a moment, then said in her clear voice, ‘Serjeant Shardlake, it is many months since I have seen you.’ A shadow crossed her face. ‘Not since you called to give me your condolences after the Queen Dowager died.’ ‘Yes. A sad day.’ ‘It was.’ She put down the quill, and said quietly, ‘I know you served that sweet lady well. And I loved her. Truly, despite what some have said.’ She took a deep breath. ‘I remember when I first met you, four years ago was it not? You were with the Queen Dowager, come to discuss a case.’ ‘That is right, my Lady.’ She smiled. ‘I recall that I asked you about justice, and you said that all deserved it, even the worst of people.’ ‘You remember well.’ She gave a pleased nod of acknowledgement. Always she liked to show off her memory, her intelligence. She continued, ‘How are you faring with turning the money my father left me into land?’ ‘Matters go quicker now your sister has chosen the land she wants.’ ‘Oh yes, Mary must always come first. Though we will see how she fares when the Prayer Book comes in. She will have to get rid of all her popish chaplains.’ Elizabeth smiled grimly, then waved the matter aside and sat back in her chair. ‘Justice, Serjeant Shardlake, I know you have always believed in it, and have sometimes sought it in dark corners. Perusing documents about my lands must seem dull by comparison.’ ‘I grow older, my Lady, and am content with quieter work. Most of the time,’ I added. ‘I would have you see justice done now, to my relative and to his poor dead wife. Master Parry will have told you the horrible details.’ ‘He has. And that you would have me go to Norfolk to’ – I chose my words arefully – ‘examine the details, satisfy myself that justice is done to Master John Boleyn.’ ‘Yes. Blanche and Master Parry should never have sent that poor woman away.’ She glanced at Blanche, and I was surprised to see that formidable lady colour. Elizabeth’s tone softened. ‘Oh, I know they only seek to protect me, they fear scandal and the lies told about me round the Protector’s court. But I will have this matter properly investigated. Parry will have told you of his man, Lawyer Copuldyke.’ ‘His eyes and ears in that part of the world, I believe.’ ‘Parry suggested I employ him to deal with this matter. Well, I hold no great opinion of Copuldyke. A uffed‑ up fool. I think you will do better.’ ‘Thank you for your confidence in me, my Lady.’ ‘Master Parry has told you to go to Norfolk as soon as possible.’ ‘He has.’ ‘And would be glad, I think, if you came back with nothing.’ Her voice hardened. ‘But if you do find something, Serjeant Shardlake, which may affect the outcome of this matter, you are commanded to inform the courts in Norwich. And to tell me.’ Elizabeth looked at Mistress Blanche again. ‘I will tell Master Parry I am to see all correspondence.’ ‘I shall do all I can.’ I hesitated, then added, ‘Of course, Master Boleyn may be guilty.’ ‘Then justice must be done,’ she said. ‘If it can be proved. But if Master Boleyn be found guilty, and you find evidence that he did not kill his poor wife, I will make application to my brother for a pardon. Before you leave I will give you a copy under my seal, which you are to give to the judges should the need arise.’ She looked firmly at Blanche, then continued, ‘I understand you are to take Lawyer Copuldyke’s assistant with you. Rough though he is, I hear he is capable. Also that long lad you came with. I saw him arrive with you from my window. He looked to be trustworthy enough.’ ‘I trust Master Overton entirely.’ I thought, This fractured royal family, how they plan, and calculate, and watch from windows. ‘Good.’ Elizabeth closed her eyes a moment, and I sensed how tired she was, and weary. She continued, in a sombre tone, ‘Master Parry is to give you a copy of all the documents in the case.’ ‘Master Overton is copying them now. I will do my best to ensure justice is one – you may be sure of that.’ Elizabeth nodded. She sat thoughtfully a moment, then said, with a sad smile, ‘You have never married, have you, Serjeant Shardlake?’ ‘No, my Lady.’ ‘Why is that?’ she asked, with genuine curiosity. I hesitated. ‘I have a ertain – isability – in the marriage market.’ ‘Oh tush,’ she said, waving a hand. ‘I have known many hunchbacks who have married, and far orse- ooking than you.’ I caught my breath. Nobody else would have dared address the matter with such brutal frankness. Mistress Blanche gave a warning cough, but Elizabeth waved it away, those brown eyes on mine. I laughed uneasily. ‘I have perhaps been too demanding where matters of the heart are concerned. More than once I have admired women who ere – above my station.’ I regretted saying that immediately, for Catherine Parr had been one of them. I wondered if Elizabeth had guessed, but her look was hard to read. I added lamely, ‘And I am an old whitehead now, I think it too late for me.’ I had expected her to contradict me again, but instead she nodded, her expression hardening. She said, ‘I have decided that I shall never marry.’ ‘My Lady –’ Mistress Blanche began. Again Elizabeth waved her away imperiously. ‘I am telling everyone, so my intentions may be known.’ I ventured, ‘But if you should change your ind –’ ‘Never.’ Elizabeth’s voice remained calm, but her tone was intense now. ‘I want all to know, so there will be no more plots to take me to the altar for the political gain of some man.’ She continued looking at me. ‘I know what marriage can mean, for women of royal station. I saw what happened to Catherine Parr. How the papists plotted to blacken her good name with my father, and have him do away with her. As you well know. And then, her marriage to Thomas Seymour.’ She coloured, the blood rising into her pale face. ‘He married her for her position, and behaved without honour, so that she cursed him on her deathbed.’ ‘My Lady!’ Blanche’s voice was insistent now, but still Elizabeth ignored her. She said, ‘First there is love, then marriage, then betrayal, then death. That is what happened to Catherine Parr.’ She added quietly, ‘And one before her.’ I lowered my eyes. She meant her mother. Elizabeth should not be talking to me like this. As though reading my thoughts, she smiled sadly. ‘I know I can trust your confidence, Serjeant Shardlake. I have known that since I first met you, and I have come to learn how rare a quality that is. And I know that you will nsure – this ime – that a Boleyn is given justice, and the murderer of that poor woman who came to me seeking succour, is punished. Whoever it may be.’ |
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