Uncle Tom’s Cabin

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Description

Uncle Tom, Topsy, Sambo, Simon Legree, little Eva: their names are American bywords, and all of them are characters in Harriet Beecher Stowe’s remarkable novel of the pre-Civil War South. Uncle Tom’s Cabin was revolutionary in 1852 for its passionate indictment of slavery and for its presentation of Tom, “a man of humanity,” as the first black hero in American fiction. Labeled racist and condescending by some contemporary critics, it remains a shocking, controversial, and powerful work — exposing the attitudes of white nineteenth-century society toward “the peculiar institution” and documenting, in heartrending detail, the tragic breakup of black Kentucky families “sold down the river.” An immediate international sensation, Uncle Tom’s Cabin sold 300,000 copies in the first year, was translated into thirty-seven languages, and has never gone out of print: its political impact was immense, its emotional influence immeasurable.

Additional information

Weight 0.26 kg
Dimensions 2.24 × 10.55 × 17.48 cm
PubliCanadanadation City/Country

USA

by

Format

Paperback

Language

Pages

544

Publisher

Year Published

1982-12-1

Imprint

ISBN 10

0553212184

About The Author

The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torch-bearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."—Alfred Kazin

Excerpt From Book

Late in the afternoon of a chilly day in February, two gentlemen were sitting alone over their wine, in a well-furnished dining parlor, in the town of P—, in Kentucky. There were no servants present, and the gentlemen, with chairs closely approaching, seemed to be discussing some subject with great earnestness. For convenience sake, we have said, hitherto, two gentlemen. One of the parties, however, when critically examined, did not seem, strictly speaking, to come under the species. He was a short, thick-set man, with coarse, commonplace features, and that swaggering air of pretension which marks a low man who is trying to elbow his way upward in the world. He was much over-dressed, in a gaudy vest of many colors, a blue neckerchief, bedropped gayly with yellow spots, and arranged with a flaunting tie, quite in keeping with the general air of the man. His hands, large and coarse, were plentifully bedecked with rings; and he wore a heavy gold watch-chain, with a bundle of seals of portentous size, and a great variety of colors, attached to it,—which, in the ardor of conversation, he was in the habit of flourishing and jingling with evident satisfaction. His conversation was in free and easy defiance of Murray's Grammar, and was garnished at convenient intervals with various profane expressions, which not even the desire to be graphic in our account shall induce us to transcribe. His companion, Mr. Shelby, had the appearance of a gentleman; and the arrangements of the house, and the general air of the housekeeping, indicated easy, and even opulent circumstances. As we before stated, the two were in the midst of an earnest conversation. 'That is the way I should arrange the matter,' said Mr. Shelby. 'I can't make trade that way—I positively can't, Mr. Shelby,' said the other, holding up a glass of wine between his eye and the light. 'Why, the fact is, Haley, Tom is an uncommon fellow; he is certainly worth that sum anywhere—steady, honest, capable, manages my whole farm like a clock.' 'You mean honest, as niggers go,' said Haley, helping himself to a glass of brandy. 'No; I mean, really, Tom is a good, steady, sensible, pious fellow. He got religion at a camp-meeting, four years ago; and I believe he really did get it. I've trusted him, since then, with everything I have,—money, house, horses,—and let him come and go round the country; and I always found him true and square in everything.' 'Some folks don't believe there is pious niggers, Shelby,' said Haley, with a candid flourish of his hand, 'but I do. I had a fellow, now, in this yer last lot I took to Orleans—'twas as good as a meetin', now, really, to hear that critter pray; and he was quite gentle and quiet like. He fetched me a good sum, too, for I bought him cheap of a man that was 'bliged to sell out; so I realized six hundred on him. Yes, I consider religion a valeyable thing in a nigger, when it's the genuine article, and no mistake.' 'Well, Tom's got the real article, if ever a fellow had,' rejoined the other. 'Why, last fall, I let him go to Cincinnati alone, to do business for me, and bring home five hundred dollars. 'Tom,' says I to him, 'I trust you, because I think you're a Christian—'I know you wouldn't cheat.' Tom comes back, sure enough; I knew he would. Some low fellows, they say, said to him—'Tom, why don't you make tracks for Canada?' 'Ah, master trusted me, and I couldn't'—they told me about it. I am sorry to part with Tom, I must say. You ought to let him cover the whole balance of the debt; and you would, Haley, if you had any conscience.' 'Well, I've got just as much conscience as any man in business can afford to keep,—just a little, you know, to swear by, as 'twere,' said the trader, jocularly; 'and then, I'm ready to do anything in reason to 'blige friends; but this yer, you see, is a leetle too hard on a fellow—a leetle too hard.' The trader sighed contemplatively, and poured out some more brandy. 'Well, then, Haley, how will you trade?' said Mr. Shelby, after an uneasy interval of silence. 'Well, haven't you a boy or gal that you could throw in with Tom?' 'Hum!—none that I could well spare; to tell the truth, it's only hard necessity makes me willing to sell at all. I don't like parting with any of my hands, that's a fact.' Here the door opened, and a small quadroon boy, between four and five years of age, entered the room. There was something in his appearance remarkably beautiful and engaging. His black hair, fine as floss silk, hung in glossy curls about his round, dimpled face, while a pair of large dark eyes, full of fire and softness, looked out from beneath the rich, long lashes, as he peered curiously into the apartment. A gay robe of scarlet and yellow plaid, carefully made and neatly fitted, set off to advantage the dark and rich style of his beauty; and a certain comic air of assurance, blended with bashfulness, showed that he had been not unused to being petted and noticed by his master.

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