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Write Great Dialogue: How to write convincing dialogue, conversation and dialect in your fiction
14.99 JOD
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Description
Additional information
| Weight | 0.2 kg |
|---|---|
| Dimensions | 2 × 13.4 × 21.4 cm |
| Format | |
| language1 | |
| Pages | 192 |
| Publisher | |
| Year Published | 2019-1-23 |
| Imprint | |
| Publication City/Country | London, United Kingdom |
| ISBN 10 | 1473688515 |
| About The Author | Irving Weinman is an American author who has written 6 published books, including character thrillers filled with action large and small. He has written reviews for major US and British publications, including the NY Times Book Review, and taught/led fiction workshops in English and US universities. He has been Chair of the Poets' Workshop at the British Poetry Society, and he is the founder and Executive Director of the Key West Writers' Workshop. |
| Other text | YOUR COMPLETE GUIDE TO WRITING BELIEVABLE AND AUTHENTIC DIALOGUE, CONVERSATION AND SPEECH IN YOUR CREATIVE WRITING.This smart and comprehensive creative writing guide uses practical tips, exercises and expert advice to show you how to w,rite superb dialogue that will help your book stand out from the crowd. |
| Table Of Content | : 1 An Overview of Dialogue: 1 An Overview of Dialogue: 2 Character in Dialogue I (dialogue in character): 2 Character in Dialogue I (dialogue in character): 3 Narrative in Dialogue: 3 Narrative in Dialogue: 4 Dialogue in Narrative (non 'scene' dialogue): 4 Dialogue in Narrative (non 'scene' dialogue): 5 Versions of Dialogue (monologue, thoughts, letters, diaries, voice messages): 5 Versions of Dialogue (monologue, thoughts, letters, diaries, voice messages): 6 Dialogue and Indirect Speech: 6 Dialogue and Indirect Speech: 7 Transitions in and out of Dialogue: 7 Transitions in and out of Dialogue: 8 Dialogue Imitations of Reality (crowds, multiple speech, interrupted speech, foreign languages): 8 Dialogue Imitations of Reality (crowds, multiple speech, interrupted speech, foreign languages): 9 Character in Dialogue II (using dialogue to learn about your characters: the art of not listening, getting them angry, letting their hair down): 9 Character in Dialogue II (using dialogue to learn about your characters: the art of not listening, getting them angry, letting their hair down): 10 The Far Reaches of Dialogue (experimental approaches, shifting dialogue between characters): 10 The Far Reaches of Dialogue (experimental approaches, shifting dialogue: between characters): 11 Dialogue in Summary (some exercises, some suggested reading): 11 Dialogue in Summary (some exercises, some suggested reading): 11 Dialogue in Summary (some exercises, some suggested reading) |
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